Totsukuni no Shoujo

Let not an Outsider touch thee,
Lest thou shalt be cursed forever.

Once upon a time, in a land far away that was divided into two realms...
The Outside was roamed by teratomorphic creatures who had the power to curse whoever they touched. Humans could live safely only in the Inside. But when a lost little girl from the Inside named Shiva, and a demonic beast-looking Outsider simply known as "Teacher" initiate a quiet coexistence on the same side of the forest, their bond seems to transcend their incompatible natures. It is the beginning of a folktale about two outcasts -one human, one inhuman- who linger in the hazy twilight that separates night from day.

(Source: Production I.G)

Teacher Main

Shiva Main

Headless Outsider ing

Ueda, Youko Producer

Kubo, Yuutarou Director, Script, Storyboard

Maiya, Satomi Director, Script, Storyboard, Key Animation

Nagabe Original Creator

Reviews

Sep 17, 2019

Pitzer

Recommended

Totsukuni no Shoujo tells the tale of a young girl and her otherworldly guardian living amidst of a forlorn forest. At first glance, their life together is harmonious and their relationship heartwarming; on further inspection however, something seems off…

It is hard to shake the sense of eeriness arising from the black-and-white juxtaposition of the young girl and her guardian whose behaviour strikes one as rather odd: during the early sequences of their everyday life he seems to frantically avoid any form of physical with the girl, instead opting for workarounds that do not require touching her.

The origin of his peculiar behaviour is slowly unravelled ... over the course of the following few scenes: the guardian suffers from a curse that turns every living being he touches into a dark and wretched monster. The mostly muted color palette dominated by dark shades of grey suggests that the origin of this infliction may be the outside world, though nothing is explicitly stated.

The effect this curse has on the protagonists is explored through experimental means: the girls tries to flee from her fear by escaping into her dreams; a wonderful dreamland accentuated by a serene assortment of strings brings her piece of mind, but it quickly turns into a nightmarish dark desert as the curse coursing through her guardian turns her into a monster as well.

Though that isn’t to say that their relationship receives a sinister undertone—in fact it is quite the opposite: knowledge of the curse’s nature recontextualizes the odd behaviour of the guardian and reveals the depth of love and care going into his everyday interactions with the girl, as well as his personal tragedy of being unable to hold those he holds dear. While he may have seemed like an enigma at first, it becomes clear that he is comionate and does his best to fulfill his duties as the girl’s guardian—however inadequate he may be.

The depth of his attachment to the girl is displayed beautifully when the girl vanishes from the living room: in a state of panic and great emotional distress, he runs around frantically as his vision grows distorted and colorless.

From the jittering shading and outlines to the high-impact black-and-white slow motions and experimental sequences—Director Kubo’s fingerprints are all over the work. The restrictions of the source material’s narrative keep him from becoming self-indulgent however, and the integration of his style is purposeful and seamless. The framework of the narrative allows him to bridge the gap between his usual experimentation and genuine emotion, making this his first opus.

At the same time, Kubo displays directorial prowess at handling narrative works: the storyboards are consistent, showcasing his proficiency at capturing a wide range of emotion as well as proving his eye for impactful and engaging shot composition. Though it is the first of his projects to have characters with a personality, he makes great use of animation as a tool for characterization. This work puts him on the map as one of the names to look out for in the coming decade.

This short is a clear contender for anime of the year—a feat rarely achieved by works of similar length. It is experimental and poignant, with great production values throughout. This one is for everyone.

Reviewer’s Rating: 7

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Sep 16, 2019

Prince_Nox

Recommended

Now it might just be because I'm an avid follower of the manga that my score is the way it is, after all without prior knowledge of the series it's hard to glean anything totally solid from a 10 minute OVA.
Rather than being something to critique by itself, this short work of art proves itself to be the perfect ment for the enchanting manga of the same name, as it was the cover art of the manga that caught my eye to begin with.

There is, however, something to be said about the outstanding visual and audio directing put into this OVA; to be able to ... convey emotion without expressing it in words is a gift, and this nails it. From the sprinklings of delicate orchestral pieces to the dedication of sticking exactly to the manga art whilst adding a dash of colour works perfectly to give the audience the feeling of warm solitude. Without ever uttering a single word you learn Shiva and Sensei's bond, what they value, how they see things, what scares them, and most importantly what they want the more than anything.

If this OVA peaked your interest I implore you to read the manga, it will be worth you time.

Reviewer’s Rating: 10

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Nov 27, 2024

darknessAlike

Not Recommended

Funny

This is one of a kind blank canvas on a museum wall.

If you are the kind of person that can see art in anything, you'll be amazed by this anime. It's going to tingle your imagination, because blantly, there's no story. As for me, I'm just a normal human being, not some kind of artistic genious, so in my mind this anime wasted my time.

Art was unusual for anime genres, and many people will find it beatiful. Happily for them, the art stays consistent. So if you're an artistic genious that will enjoy the story (that is barely there), this kind of art will be ... a great addition to that.

It was a short movie, and while it didn't manage to portray much story, it did manage to bring up a ton of questions. About what the hell is going on. And as a typical, art, it want you to imagine the answers to these questions by using your imagination. I'm sure you artistic types will eat this shit up like ice cream on a sunny day, on the beach.

For anyone non-artistically inclined, save your time.

Thanks for reading~

Reviewer’s Rating: 1

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