Sword Art Online II 2y5c45

*Minor spoilers ahead*

There are a lot of things that can be said about Sword Art Online, and most of those things are not pleasant. I will not mince words: I am no fan of the series. The first season was filled with so many issues, both significant and minor, that even watching a single episode was an incredible test of patience. There were some neat ideas hidden in between the mountains of nonsense, and while I can understand why the show was so enjoyable to so many people, in my case, it was like an aneurysm waiting to happen.

There is often a dichotomy of ... opinions towards the show. There are the fans who adore the characters and setting and staunchly defend their right to enjoy whatever they please, and then there are the critics who despise everything the series stands for, often going to the extreme of attacking the fanbase and treating the series like it is an abomination forged in the fiery pits of hell. And that is precisely why, regardless of which side you stood on, Sword Art Online was likely not the kind of series that could be given a shrug and promptly forgotten.

"Was". The same cannot be said for the second season of Sword Art Online. Whereas the first season was either the song of angels or the cacophony of demons, the second season is the essence of mediocrity. It delivers even more of the virtual reality-MMORPG setting and Kirito's usual 'time to save the day and wink at my bitches' attitude, but that's really all it is: 'more'. It's not offensively bad like the first season was (though it does come close at times), nor does it deliver anything to keep the fans particularly excited. It is a sequel that exists to be a sequel. It exists because the author created a successful franchise and thus he needed to keep the fans appeased by throwing more Kirito and Asuna their way. The story could and should have ended after the first arc, but profits seem to speak more than artistic expression. So it goes.

To have a discussion about Sword Art Online is to discuss its flaws. There is almost an endless supply of issues to complain about, and while I will not be able to mention all of them (lest this review reach novella length), I also do not believe that enjoyment alone is enough reason to praise an anime. So you will have to forgive me for nitpicking the show to death. The little things do add up after a while. Death by a thousand cuts, they say.

Sword Art Online's lacklustre second offering begins with the initially promising (and quickly disappointing) Gun Gale Online, or GGO arc. After the events of the first season, Kirito is tasked with investigating the murder of several people within GGO, because... well, apparently a teenager is more capable than the police or a federal agent who has actually been trained in investigation. He is also forced by his contractor to play in the game as a female avatar, because reasons. If that is supposed to be a method to help conceal his identity, it certainly does not have any effect when he continues to refer to himself as "Kirito". Most likely, the author simply put this in so that the fans might be able to write yuri doujins and fulfil their secret desire to be the little girl. That's cool either way, but it doesn't do much to establish the series as something that can be taken even remotely seriously.

Speaking of his female avatar, Kirito is seemingly the only guy in the entire game who plays as the opposite sex. You would think that pretty normal (it's common enough that people often have to question the real-world gender of female avatars), but every single guy in the game believes without a shred of doubt that Kirito is actually a girl. And so they hit on him and fawn over him. Sinon even goes into a full-blown rage when she finds out about Kirito's actual gender, stating how she feels betrayed and how Kirito was a liar for not telling her in the first place. Like... okay? I guess the author felt it necessary to turn Kirito into a heroine himself because there somehow wasn't enough fanservice already, what with all the frequent shots that stare directly at Sinon's butt.

Kirito being Kirito, he immediately makes a name for himself by winning a near-impossible minigame with little to no effort. And while, sure, it isn't too strange that someone would immediately get the feel for an MMORPG, it is certainly a problem when his playstyle is utterly contrary to the nature of the game. GGO is not a game about melee combat; it is about guns, grenades and positioning. If a player decides to pull a knife twenty feet away from someone with a machine gun, they will be absolutely and utterly destroyed. Or at least that would be common sense, if sense actually applied to Kirito. He decides to use a lightsaber (yes, seriously) in a first-person shooter and then proceeds to dodge or cut every single bullet that ever crosses his path, and in one case, even sends a bullet flying into a building which then causes the entire thing to collapse (apparently he deflected a tank shell). Perhaps Kirito is some sort of god, seeing as he can think and react thousands of times faster than any other human being. The show explains it away with some 'high agility stats' nonsense, failing to realise that Kirito predicting the path of dozens of bullets two feet in front of him requires superhuman thought just as it requires superhuman speed. It seems Kirito is so powerful that petty concepts such as sense do not apply to him. Praise be to our God, Kirito. May he forever bless us.

Thankfully, the addition of Sinon creates a bit of a distraction from the Kirito bollocks, but her being a female character, she still inevitably becomes a part of Kirito's harem. And he manages to swoon her by spouting some of the most embarrassingly cliché lines I've perhaps ever seen in an anime. Let me quote one of his brilliant lines: "No one dies alone. When that person dies, the part of them that lives within someone else dies too. You already live within me!" And yes, this is actually something he says within the show. Now excuse me while I go and vomit.

There is also one particularly obnoxious scene in the second episode where Sinon, falling from the top of a skyscraper, somehow dodges all but one of the hundreds of bullets hurling at her from the gattling gun below. All of them land just a few feet below her, which one would assume is because the shooter is trying to match his aim with her falling speed, except if he wasn't completely lacking in brain cells, he would realise that all he needs to do is stop moving his aim for a fraction of a second and Sinon would be annihilated. No such thing happens, and Sinon sends a sniper bullet through his head as she approaches the ground (because that is how sniper rifles work), spouts a cheesy catchphrase ("The end!") and lands with one of those cliché shots where where her back faces her dying enemy. I'm not sure if this was scene was supposed to be 'cool' or something, because the only emotions it conveyed to me were frustration and embarrassment-- embarrassment over the fact that I just finished watching something that even 10-year-olds would think dumb.

Sinon's trauma is somewhat interesting, for it at least creates a character in the show who is actually flawed as a person. But the manner in which this trauma is developed is far from great. She's portrayed as being emotionally strong, even more so than Asuna or Our God Kirito, and then as soon as she sees the same pistol that was used in the incident from her trauma, she immediately turns into a suicidal mess, saying how she doesn't care about dying while actively making an attempt to survive. Whatever. The trauma is not there to develop Sinon's character in any meaningful way or to carry any message about the struggles of post-traumatic stress disorder, but simply exists to establish her as a tragic heroine so that the audience can pity her and empathise with Kirito's desire to protect her. How exciting.

The show also tries to create a trauma for Kirito too, although it only ever comes across as a lame, cloying attempt to make him a darker character. He is apparently haunted by his SAO days where he was forced, in self-defense, to kill two player characters who were murderers themselves. He is so damaged by the incident that in one scene, a nurse actually hugs and comforts him, but his supposed trauma is never explored in any depth and is forgotten about as quickly as it is mentioned. The fact that he can laugh, smile and engage in PvP only moments later is a testament to the fact that it never really mattered in the first place. It also shows that the author has no idea what kind of character he even wants Kirito to be: is he a dark anti-hero or a light-hearted goof who just happens to be good at MMORPGs? The show has no idea. It throws Kirito from personality to personality, to the point where you have no idea who the hell he even is any more.

The story surrounding the antagonist of GGO (cheesily named "Death Gun") deserves a small amount of praise for its willingness to change the show's formula a little bit by creating a meaningful connection between the virtual world and the real world. The way in which Death Gun carries out his crimes is actually quite neat, but the identity of the killer is perhaps less so. The killer immediately transforms into a raging lunatic the second their identity is revealed, committing their crimes for reasons as dumb as "I hate my parents". Is it so difficult to write an antagonist that actually has personality and a legitimate (though disagreeable) reason for their actions? It's not as though every person who ever commits a bad deed is a psychopath. Normal people do bad things, too.

Most of the suspense of Death Gun's murder spree is created through dumb contrivances, though. The characters cannot log out in the middle of the tournament, meaning it is impossible to avoid being killed by Death Gun unless they defeat him in the game themselves. I am pretty sure it would be against every sort of law imaginable, especially after the SAO incident, for players to not be able to leave the game whenever they please. What if there's something urgent going on in the real world and they can't get to it because the tournament is taking longer than expected? What if their bloody house is on fire? This restriction is utterly asinine and would never actually exist, but I suppose there wouldn't be much story if it didn't. Sword Art Online is less interested in creating a believable world and more in twisting and changing everything about it to fit with the author's whims.

The story of GGO is over before it ever really starts. It's a shame, because the setting actually carried a surprising amount of potential. The post-apocalyptic, mercenary-led and cyberpunk wasteland of GGO is far more exciting than the tired 'fairies and elves and swords' fantasy of SAO and ALO. Once the fight with Death Gun is wrapped up, Kirito and his harem simply move on to the next game without much care.

Except the 'next game' is just ALO all over again. The second arc of the story is a forgettable haze of nothing. All that happens during these three episodes is that Kirito obtains the most powerful sword in the game, because he wasn't already powerful enough, or something? There's also more utter stupidity like Kirito and his party being pulled into a questline that can actually delete the entire game's data. I am absolutely sure the developers would program something that allows years of hard work and their entire source of revenue to be brought to nothing. Right.

And the next game is more ALO, too, although the story does attempt to take a different turn in the third (and final) arc by temporarily ing the protagonist baton to Asuna. But even a lack of Kirito seemingly cannot do much to improve the series. Even with the incredible amount of detail given to Asuna's character-- her troubled relationship with her mother who wants her to lead a normal life, her feelings about the future and her struggle to save a newfound friend-- somehow, after all those episodes and all those awful things she had to deal with, Asuna was still the exact same person she was during her first appearance. She does nothing but fill the shoes of what many would consider the 'perfect girlfriend'. She is lacking in flaws and devoid of personality. She's just a pretty face who goes through some bad things. I suppose the aim shouldn't even have been to develop her character, but to give her a character in the first place. If you throw a rock into a tornado, it will still remain a rock once it reaches the ground.

Among the dozens of other things in the third arc to find issue with, there is one particular scene that comes to mind. As Asuna and her new friends are fighting to reach the boss room before another group of people, Kirito somehow, conveniently, shows up as a part of their reinforcements. He decides to betray them all for Asuna and her friends' sake, and holds off the twenty or so people completely on his own. The initial half of the enemy party decides to use healers, and one of Asuna's allies then complains that they're "not being fair", as if using healing magic in an MMORPG is somehow a new concept. They manage to win despite being vastly outnumbered, and as Asuna and her party enter the boss room, Kirito, surrounded by flames, makes a peace sign while holding off the horde of enemy players. Somehow I think this scene might feel more appropriate in a teenager's fanfiction.

It should also be mentioned how cringe-worthy any scene with Yui is, such as when Kirito writes a program so that she can 'see' through the cafe's camera and then hang out with them in reality. Please. She's an annoying NPC, not the daughter of a bloody teenager. If she were to be erased from the entire story I doubt anyone would complain.

And why are Kirito and Asuna so incapable of showing physical affection? They've been dating for three years now and even made virtual babies with each other in SAO, but in the real world they do not dare kiss or engage in sexual activities. It makes their relationship feel very weak, superficial-- almost like the author is afraid of fully committing them to one another because it would make Kirito unable to have his harem. The show eliminates any sense of a realistic romantic relationship by attempting to appease both harem and Asuna fans, except in reality, it has quite the opposite effect. Those who want to see the relationship between Kirito and Asuna developed will only find themselves disappointed, and those who want more of the harem will find themselves even more disappointed.

The problem with Kirito's harem is that all its are there only as eye candy. Even Kirito's bouncy sister is pushed to the side and made irrelevant, despite her receiving so much screentime in the previous season that it seemed things were about to develop into a love triangle. Nope. All that was for nothing. She and the others all still follow Kirito along, finding themselves jealous whenever he and Asuna share a tender moment, and really, what is the point in them even being there at this point? To remind us they exist so that they can used in ero-doujins? Great.

Furthering this issue is the show's reluctance to write in male characters that are not raging lunatics or utterly irrelevant. Kirito is the only male in the entire story who ever matters. None of the girls have any interest in Klein or any of the other males; they just fight over Kirito despite the fact that he is already (supposedly) in a relationship. It's not that there needed to be another male character with his own love interests, given that Sword Art Online is absolutely terrible at writing romance, but the least the show could do is give Klein and the others a bit more attention. Klein exists only as some random dude that tags along with Kirito, and it's a shame, because he's a hell of a lot more interesting than Kirito ever was.

The last few episodes carry a fair share of emotional weight, but it's quite difficult to care much about what's going on when the entire arc moves at lightning speed. Asuna and Yuuki act like they're best friends after only knowing each other for about two days, and it's not much longer until Asuna starts rushing to her side in the real-world and crying for her sake. Sure, it's pretty hard not to feel sorry for Yuuki given how crappy her situation is, but the audience is just thrown into the drama without being given any time to think about what's going on. I'm not the kind of person who believes there is something inherently wrong with shock value, but I mean, for god's sake, the least you could do is give me some reason to be invested in the characters first. It's just melodrama without purpose.

The actual fight scenes are also thoroughly disappointing. There are no longer any situations where the characters' lives feel at stake. It's a video game and Kirito is incapable of defeat. Most of these are barely longer than two minutes, anyway, so if you were looking forward to massive boss battles and crazy nonsense from the first season like Kirito's dual-wielding skill, there is none of that here. The show instead spends most of its budget on Sinon's ass.

Does Sword Art Online look nice? Sure. And it sounds nice, too. But no matter how pretty the scenery and how intense the main battle theme is, it cannot make the unexciting exciting. Unless the music is married with an appropriate scene, it will achieve nothing if not being awkward, and often the scenes in Sword Art Online feel awkward. All Sword Art Online does is look and sound nice-- in this case, the wrapping paper is more exciting than the contents.

The show has some issues.

I still feel there's so much I've missed and so much more that needs to be said about the series. I've tried my best to assort all my angry groans and rolled eyes into something that actually resembles a proper piece of writing, so if it feels like a massive wall of whining, I apologise. There was a lot to whine about.

And no, I don't believe that my standards being "too high" is a valid rebuttal. Standards are not something that anyone should ever apologise for. It does not matter if a show strives to be some intellectual commentary or if it's content just being simple-ass entertainment (and Sword Art Online definitely falls on the "simple-ass entertainment" side of the spectrum). If a show is dumb enough that you can enjoy it only by turning your brain off, then it is not something that is worth your time. There is plenty of entertainment out there that can be enjoyed while the brain cells are in use. Some of them are even aimed at children (see: Aikatsu, Cardcaptor Sakura or My Neighbour Totoro), so I don't see much reason to force yourself to enjoy mediocrity when quality is easily available.

But if you enjoy Sword Art Online, that's OK too. You're free to watch and enjoy whatever the hell you damn well please, and the people who say you are a lesser person for enjoying mindless entertainment are just as mindless themselves. Sword Art Online definitely has a great deal of appeal among younger folk and MMORPG fans, but please, if you enjoyed the series in any capacity, do yourself a favour and do not conflate your personal enjoyment with critical quality. Fun does not necessarily mean good. It often does-- how can we appreciate something we hate watching, after all?-- but in this case, the enjoyability of Sword Art Online has nothing to do with its merit as a story. Because it doesn't have any.

Sword Art Online is a mess and it needs some shovelling.

Before I start this review, let's all take this moment to bow our heads and close our eyes as we pray to the great and almighty Jesus-kun.

Oh Jesus-kun, let your humble servants be like thee oh Lord. Let us become OP, plot armored, self insert chick magnets so that we can build our own harem. Bless the harem oh Lord, that it be deemed worthy of your hax abilities, AMEN!

Story: 2/10

You know how you can tell if a story is very stupid? When the only way it can continue is if your main character makes an extremely illogical decision, that anyone with common sense would ... normally refuse. "Escaped a game where you almost died and suffered psychological scars as a result? Well why not jump into another one :D !" ...The show has yet to get episode 1 and has already proven that a room full of monkeys could write a better script. But I won't completely kick SAO II in the balls, as they didn't repeat the crazy timeskips like before.

You know what you don't do with a 24 episode run? try to squeeze in 3 disted arcs into one. You thought the move from Sword Art to Alfheim in season 1 felt left field? Well the transition from Gun Gale to Alfheim takes the cake.

The mini mission arc in the middle isn't even worth mentioning, since the whole purpose was to simply make Jesus-kun more hax than he already was by giving him the legendary sword Excalibur (sorry Saber).

Then there's the final arc.. Which was a melodramatic story for the sake of getting the fans to cry a river. "Video games help make AIDS suck less".. now try saying that out loud without facepalming yourself into a coma.


Art/Animation: 7/10

As much as the SAO franchise make me grit my teeth, it should go without saying that they have great production value. This was no exception as they made a visual spectacle that is pleasing to the eyes. The vibrant color of the game world will keep even a person with ADD attentive. The cinematics are also top notch, as the fighting sequence will have you creaming your pants.
However I can't say the same for the character designs. If you take a still shot you'll realize every character shares the same face, which is beyond lazy... But hey, I guess God really did make everyone in his own image.

Sound: 7/10

To add to the visuals, we're also given a score to match the mood. Each scene is matched with a musical theme that works in unison. The OP & ED are even good stand alone listens. The voice actors were also fine, but no stand outs come to mind. They did what was needed to carry the show, and that to the least deserves credit.

Characters: 2/10

Most of the characters from Jesus-kun's harem don't even receive any roles other than being the sideline cheer squad for our MC. Even Klein, who started out promising in season 1, is degraded to comedic relief. The main antagonist from GGO, Darth Vade-... I mean Death Gun was, believe it or not, a good idea for this series. Through him they tried to give Jesus-kun an internal conflict via post traumatic stress disorder. They also tried this with Jesus-kun's new harem addition Shino.. Now notice how I said "TRIED" as nothing really changed after the following arc was over. Kirito remained the plot convenient God and Shino simply fell in line as another conquered piece of ass by our savior. The last character worth mentioning was Yuuki, who only survived the Harem God's clutches by succumbing to AIDs. Introduced in episode 19, we're only given 5 episodes to give a fuck... This is a text book example of forced drama, making Yuuki's existence to be nothing more than a token sympathy character, rather than an actual person. The only good thing to come out of this cast was Asuna, who finally got more screen time. Despite her "development" being brought on by forced drama it was better than having Jesus-kun bask in the limelight. Which in turn made SAO II slightly more tolerable than the season 1 trainwreck.

Enjoyment: 6/10

Despite its 5 page MLA format filled with problems, I enjoyed SAO II for what it was. They tried to develop a few of its characters. They tried to improve the shit story of season 1. And they tried to shine light on someone other than Jesus-kun. Although they failed in spectacular fashion, it was still fun watching it do so.



Overall: 4/10

SAO II excels in the audiovisual department but once again repeated its past mistake of having idiotic and stupid characters and story. For those seeking to give SAO redemption with this continuation don't hold your breath as it still remains in cesspool quality territory. However If you're a fan of this series and have yet to watch it then by all means give it a go, as it does improve some flaws that were apparent with season 1.

Mod edit: Review my contain spoilers.
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*Sigh... What am I doing with my life? Seriously: What do I have to gain by bashing this show? I’m certainly not the first one to rip this anime and its inane hype train a new one and I definitely won’t be the last. Therefore, forcing myself to sit through yet another collection of incompetent pacing, plot points that make no sense what so ever, and an unbearable self-insertion protagonist doesn’t really seem to be worthwhile, does it? And yet here we are. Goddamn it… Ladies and gentleman: It’s fucking back

Synopsis: After restoring VRMMORPGs to their previous glory by being ... the total badass he is, Kazuto Kirigaya is approached by a detective who wants his help investigating the “Death Gun” incident. This incident is a recent event in which a mysterious who goes by the SUPER original name of “Death Gun” somehow managed to kill another in real life by merely shooting him in the VRMMORPG “Gun Gale Online”. Kirito agrees, enters the game, is instantly amazing at it (shockingly), meets a sniper girl named Sinon, and enters a big tournament with the hopes of facing off against the mysterious “Death Gun”.

Now, that plot summary probably makes the reader raise a few questions, such as: “Why is the police department recruiting a random highschooler with a documented history of VRMMORPG-caused psychological trauma?”, “Why does Kirito, the man who almost lost his life and witnessed others lose their lives in a video game, doubt so harshly the possibility of death through amusphere?”, or “Why God? Why is there a second season of SAO?” Well, unsurprisingly, none of those questions will be answered. However, that shaky premise is only the modest start to a slew of other problems that this show truly suffers from, and most of them are even worse than the first season.

Arguably the biggest flaw of the show is that the pacing is PAINFULLY slow. I’m not exaggerating; each episode covers about two sentences worth of plot. For a show that’s supposed to be centered around action, it is astoundingly boring this time around. It wouldn’t be unreasonable for the first four episodes to be condensed into one; then we would be talking. Unfortunately, the show never addresses this issue and smacks us across the face with filler as it drags itself out for as long as possible. It's unwatchable at times.

Another major issue is the fact that the plot no longer has any suspense and provides no reason for the viewer to care about what is happening. In SAO’s first arc, we at least had a reason to care about what was happening inside the video game because it was life or death; the stakes were high and lives were on the line. In THIS season, however, the only driving force for us to care about the virtual world no longer exists outside of spurts of laughably forced melodrama. As evidenced by episode 2, the show tries to be theatrical/dramatic in order to convince the audience that what is happening in the game is REALLY important when it so obviously is not. I kid you not; there is a scene in this episode where a full-grown man almost has a mental breakdown because his PH (player hunter) clan was losing a fight. …DUDE. IT’S A FUCKING GAME. We are forced to listen to Sinon (more on her later) give us a ridiculous, obnoxious speech about how logging out and giving up on the battle is “dishonorable”, AS SHE IS KILLING AND LOOTING INNOCENT PLAYERS. Yeah, real sense of “honor” you got there. This might have worked in the first season when the stakes were legitimately high, but when the setting of your story changes drastically, you must adjust the content accordingly! I mean, it’s not like I’m surprised that this show doesn’t make any fucking sense what so ever, but I still have to point it out. Overall, this is just an unbearably stupid plot, as per usual. Impossible to take seriously.

As for the characters… well... what can I say that hasn’t already been said about Kirito? He is made only to pander to male-power fantasies. He is amazing at everything he does, he gets all the girls, and he has no flaws what so ever, etc. Basically, you wish you were Kirito. He is made for the purposes of self-insertion, and while people who know anything about storytelling recognize that this is a SHIT way to write characters, Kirito has been instrumental to the show’s popularity. I HATE that this is the kind of character that becomes popular nowadays, but that’s part of the reason I am writing this review; if enough people don’t complain, it will continue to happen. Don't even get me started on the laughable ways that they try to get the audience to sympathize with him. The only other major characters this season are Sinon and Asuna. Let's start with Sinon, who is another completely worthless, helpless female for Kirito to add to his harem. The show tries to characterize her by describing her devout fear of guns, and I mean DEVOUT. This girl is apparently so scared of guns that she vomits all over herself just by glancing at a FAKE gun (‘cause that’s totally believable…). Now, you may be asking yourself, “How can someone who is so irrationally scared of guns be a top player in a super-realistic VRMMORPG that is obviously multiple steps above the intensity of holding a toy gun in your hands?” Well reader, shut up. This is SAO. Never question it again. …In all seriousness though, her entire backstory is just completely laughable because it doesn’t make any sense at all. One of the worst portrayals of PTSD I’ve ever seen in media. Any personality traits she may have been given eventually fade away into the same old harem-girl bullshit at the first sight of Kirito. Valiant effort, A-1, at least you are trying harder, but this character still sucks. As for Asuna, you already know the drill. A misogynistic object for Kirito to impress and presumably bang. She has an arc dedicated all to herself this season, and it's the cheesiest thing I've ever seen in my entire life. It's like SAO learned to write dialogue entirely through trashy romance novels. Very, very cringey. I won't say anything to spoil the villain of the first arc, but oh my god, if you are in need of a laugh, this show's midseason finale is a must watch. I was literally crying from laughter. That's how stupid SAO's villains are. Maybe worse than season one's.

In conclusion… It’s fucking SAO. If you liked the first season and were able to somehow overlook its ludicrous amount of flaws, then you will probably like season two as well. If you actually have standards, recognized how incredibly overrated the first season was, and hated it, you will also hate this season. To be fair though, the show is still well animated and the music is still great. I’m also willing to it that SAO has a certain charm to it that shines through despite its major problems, which is probably the reason it has gotten so popular. Do I recommend this anime? No, not unless you are a young teenaged male, but it’s not the worst I’ve seen.

Another flagship of the Anime Industry has ended again today. While some people would be delighted by Sao II ending, most are left wanting more and eagerly anticipating the next Sword Art Online. While the series itself is not perfect, I wouldn't say it's garbage as some would say it. I am going to cover the three arcs as separate rather than as a whole so it would highlight their strengths and weaknesses better, then combine it to an overall score.

Story, Phantom Bullet(8/10): The first arc is the meat of SAO II. It has the most episodes spanning 14 of the overall 24. Here, ... Kirito ends up in a VR called Gun Gale Online where he is tasked to investigate the deaths of VR players in the real world by them supposedly dying in the Virtual world. The story was crafted excellently, while it did have a slow start at first, the ending was satisfying. There are however inconsistencies to how the story picks up the pace. For instance, the story already jumped to Bullet of Bullets in the very first few episodes, then it jumps to Kirito defeating other players easily, then a duel with Sinon, then after defeating Death Gun. It feels rushed even though the story presented itself well. It doesn't give itself enough time to catch up with itself, it sends Kirito to battle and ends with KIrito beating his enemies. The story though is packed with the Impossibilities like the first SAO. This Time, characters are haunted by their past , and it's up to Kirito to guide them out of it. While that may seem irrelevant to the story, it adds a little emotional impact to the overall arc.

Story, Calibur(7/10): The second arc of SAO II. Here we find Kirito and his Harem + Klein back in Alfheim. They all do a quest to retrieve Excalibur from an Ice Kingdom and ultimately save Alfheim altogether. While it was a good watch, I felt the story was the weakest out of all the arcs. It didn't offer anything new, and it didn't bring out anything we haven't necessarily seen before in the SAO franchise. It's basically an arc dedicated for Kirito to get an upgrade. It is still refreshing to see the old team back together including Sinon to clear out dungeons and let them show off their skills after seeing Kirito slaughtering every bit of competition he has out there.


Story, Mother's Rosario(9/10): The third arc, this is where I don't want to go into detail about because it's an arc where you should see for yourself. I personally think this is the best arc out of SAO II. It doesn't focus on action as much as the previous arcs, it focuses a lot on characters and their hardships in the real world. While some may get turned off by that, it really is a good arc to see further character development in some characters.

Story, Overall (8/10): From the first to the last arcs, the story was great. While a side arc did manage to outshine the main arc for me, it still was a great story to marvel at.

Characters(9/10): SAO II brings to you a new cast with very enjoyable characters. Kirito, Asuna, and the old gang are still there. With the exception of Kirito, and Asuna on the third arc. Most of them were hardly touched. Kirito still drives the main story further with help from new characters. The first up is Sinon. Sinon later became my favorite heroine at the the end of the the first arc. Maybe i just have a thing for girls with a heavy anti-material rifle for a weapon. You get to see into her past and her reason to play a game like Gun Gale. She seeks strength and finds that within Kirito. The next up is Yuuki and the gang on the third arc. This is where the emotional aspect of the show is centered. Konno Yuuki is labeled as Zekken, or Absolute Sword. She is they say the strongest player in Alfheim. While she's strong in the Virtual world in the real world she faces countless problems. It's the same with the rest of the Sleeping Knights. They face numerous problems in real life, and they dive into the Virtual world to escape those problems. You see the relationship grow between Asuna and the Sleeping Knights as the story progresses. You see what the characters have to face in the real world, and their methods to escape that harsh reality.

Art(9/10): Just like in the original SAO, SAO II brings with it fantastic looking worlds and characters. Gun Gale is just amazing to look at. it's a deserted area with tons of destroyed building and broken down vehicles. Also sand, sand everywhere. It's the perfect setting for a game like Gun Gale where bullets are flying everywhere and the world looks like its going crumbling down. Alfheim is also present with beautifully crafted atmosphere. In the Calibur arc, you see what lies underneath the world tree, it was once a prosperous land, but now it's covered in ice and snow. The new bosses and characters are also made fairly well. The back ground characters do look a lot similar, but that's understandable since drawing thousands of unique faces would be a waste of time. However the main and ing cast all have their personal touch to their avatars which makes the look irable. #CaitSithSinon

Sound(8/10): The sound overall was good. I don't really have much complaints for the sound even though I gave it an 8. Both Openings were amazing and characters themselves weren't annoying to listen to.

Enjoyment(9/10): I had a lot of fun watching Sword Art Online II. It gives me more to think about when I decide to let my mind wonder. Just the thought of how close a different world can be so close to us just makes me want to watch more and more. I really do hope they come out with an SAO III, it would be to sad to see an anime as great as this with more tales to tell us stop right here.

Overall(8/10): It's an enjoyable show to watch that most people often ridicule too hard because of it's growing popularity. It's a fun series with a lot of great ideas to offer. It's not perfect having some flaws, but it's not as bad as people turn it out to be. I recommend giving the series a go and decide for yourself. Do not let anyone's opinion hinder you from enjoying this show and determine for yourself if it is worthy of your time.

It came, almost like if it has been created for one purpose: polarize the public opinion, and yet the same scenario from back then take place, to be or not to be.... mediocre? I guess the answer was already given in that first season, I'll just throw it here, if we're watching this sequel we already know what to expect, there won't be a glorious comeback, we're watching the wrong franchise otherwise, SAO II is the same old SAO after all.. and for those who understand this basic concept, it might be entertaining somehow, I won't hide that fact, just make sure to leave the ... common sense and critic spirit in the next room before you close the door, that it's.

SAO II inherited everything from it's predecessor, specially the bad traits that characterized the first season, traits that were a lot more in highlights this time since we had already experienced them, we live for the second time those faults that made infamous the first season, we could almost say it's practically a déjà vu. Such traits are numerous, we could generalize and call the amount of the bad traits: The SAO Formula, a pattern of events presented since Aincrad, proposed again in Fairy Dance, and finally in this last installment, Phantom Bullet. Being able to determinate such pattern is not something difficult, we could summarize and say: "Kirito came, Kirito saw, Kirito conquered", but since this is a review let's analyze a bit better this concept.

Phantom Bullet takes place a year and half later the SAO incident, Kirito, now living the normal high school life, is approached again by Seijiro Kikuoka, some guy from the Government, who informs him that a series of mysterious murders were happening, where?, obviously inside another Virtual Game. After the previous fantasy themed arcs, this time we have a characterized cyberpunk environment, a huge breath of fresh air, which provides in the only campus SAO distinguish itself, whiteout failing miserably, the Setting (I'll talk about this later). Gun Gale Online, the virtual reality game where a mysterious avatar called Death Gun seems to have the power to "kill" the players inside the game. After a remarkable phrase by our protagonist: "There's no way that someone can be killed inside a game!", almost like if his memories from the SAO incident were erased, he decides to find the culprit by entering this new world, Kirito goes to investigate!.

This is when The SAO Formula emerge completely, in correspondence like the previous arcs, Kirito is assisted by a new female character, in a new game, in a game where you could die in the real world, with an overly pathetic character as villain (Yup, a complete new environment!), but leaving aside those utterly obvious facts, the thing I disliked the most was the absence of simple Logic. If in the first season were remarkable deus ex machinas and bad developed scenes, in SAO II we have the complete absence of logic reasoning.

(Now I'll write some phrases with the interrogation point just to emphasize better my point of view)

Leaving Kirito completely alone during the investigation phase?, Laughing Coffin that should have been arrested for murder after the SAO incident?, a guarantee security for those, possible, Death Gun's targets by placing some cops inside their house?... no? what about tracing somehow the IP?... for god's sake we're already in a future where Virtual Reality exist and the police can't really trace a player inside a game? and their only savior is a 17 years old kid?, c'mon!.

This season is characterized by Stupidity itself, there are no words able to justify the overly idiotic events occurred, because if there were for the previous season, this time there aren't. And we have yet to talk about how ended Phantom Bullet, the cherry in this cake!, the climax... but that would be spoiler so I won't, I'll just say instead: "ASADA-SAN, ASADA-SAN, ASADA-SAN!!!", you'll understand later and when you reach that part, drop a laugh in my honor.

In a similar mode as the previous arcs, the plot focuses only on Kirito and the new girl (The SAO Formula in action again!), ASSada Shino, while leaving aside the others characters that were once important in the previous arcs, reducing their screen time to only a few scenes. That means we don't get any Asuna or Suguha, already side characters, or how I like to say: "They became part of Kirito's party", and once they it, the characters loses their personality completely becoming a side character, part of Kirito's harem. Unlike the previous season, the characters psyche is analyzed a bit more deeply and the result is... pretty lame. Actions scenes are replaced with boring dialogues between Kirito and Sinon sharing their experiences with Death and how they dealt with them. Actually I like this kind of approach in the characters but with Kirito?... God no, it doesn't feel right in SAO, it doesn't fit the anime. Cool actions scenes with great soundtrack fits more the show, but that wasn't delivered, in part. The only thing that won't miss in this sequel, in every scene, is Sinon's compact ass, we got a picture of it in every possible angle.

In this second installment Phantom Bullet isn't the only material adapted from the Light Novel, there's also some arcs we could consider as fillers but they aren't, they're present in the Light Novel. Only from SAO we could expect actual canon material to have that unique air that fillers have, anyway these two arcs are Caliber and Mother's Rosario. While the attempt of Excaliber is to light the mood before the heavy drama oriented Mother's Rosario, the result we get it's the exposure of The SAO Formula, yes again. Caliber focuses in Kirito's party, Sinon, already part of his harem, with the special participation of the other girls, Asuna & Company, aid Kirito to complete an ALO Quest. Meanwhile Mother's Rosario focuses on Asuna and her meet with a mysterious girl named Yuuki, drama development is guaranteed.

Like previously commented, SAO II inherited everything from the previous season, also those things worth to be praised, the Animation, the Setting and Soundtracks. Extremely fluid animation followed through the actions scenes meanwhile -not the best Yuki Kajiura recycled work- harmonized the environment. The Setting is something I really liked from the SAO franchise, it's detailed and somehow it drags you inside, Fantasy and Fairy tale like from the previous arcs and now GGO's cyberpunk, it's notable the effort done to create this, I tip my hat. OPs & EDs singles managed to be catchy but a lot less compared to the previous season, anyway "Courage" by Haruka Tomatsu is worth an illegal at least.

Overall I wouldn't consider it a total waste of time, this show is watchable, I won't say it's a pile of crap or rage about it, I mean, if you're watching SAO II you already know how this was going to be, so I'll just express my expected disappointment with a big "Meehhh" and end this review right here.

Another season, another helping of extreme controversy, a countless number of attacks on the fan base, even more flame wars, and perhaps the largest amount of unfair criticisms and double standards ever seen in an anime.

In my review of the first season, I stated that "Sword Art Online was the most over hated anime of recent decade." Considering what I've seen in this season and the newest criticisms against it(despite it correcting most of the weaknesses of season 1), I still stand by what I said back then.

So what do I think of it? This season has solidified my opinion that I've had about the ... series since Season 1.

Much like Season 1, the story of SAO II is split up into separate arcs, each with a different tone and genre. These arcs are Phantom Bullet(Gun Gale Online), Calibur, and Mother's Rosario. Two of the arcs continue the trend of showing how virtual reality affects reality, while the one in between is just a simple quest.

Keep in mind there may be spoilers.

Story:

Phantom Bullet(Gun Gale Online) - The story focuses on perhaps the most controversial protagonist in all of anime: Kazuto Kirigaya, and a new character for this season: Shino Asada. It's about a year after the ALO incident and, yet again, another incident occurs that involves the virtual world that seems to affect the real world. This occurs in the new VRMMO of Gun Gale Online, an MMO created from The World Seed mentioned in Season 1. A player named Death Gun(who's attire looks like a cross between a mummy and the Grim Reaper) was reported in shooting players in-game, only to have them die shortly after in real life. However, unlike the Nerve Gear, which could fry a person's brain, these cases have involved another vital organ: the heart. Because of the Amusphere's improved security mentioned in Season 1, it appears that these deaths would be impossible to cause through virtual reality. Seijirou Kikuoka, a member of the Ministry of Internal Affairs that first appeared in SAO: Extra Edition, s Kazuto and offers him a job to investigate, knowing just how much experience he has in the full-dive environment.

The overall genre of this arc is murder mystery.

All in all, this was a bit of a trade-off arc. On one hand, Kirito gets more depth as a character, Sinon(Shino Asada) develops as a character by the end of the arc, and the story can be pretty engaging with the logistics behind the GGO incident. On the other hand, the action is much more limited, some characters are STILL sidelined for the most part, and the episode before the ending of the arc comes off as all kinds of disturbing. I've always loved SAO more for the story and characters, but a few of the final episodes of this arc left me with mixed feelings.

This being said, it was engaging the whole way through, had much better character development, and was a HUGE step up from ALfheim. 9.5/10

Calibur - I'll keep it short for this arc: it focuses on the group of Kirito, Asuna, Klein, Lisbeth, Silica, Leafa, and Sinon on a quest to Jötunheimr.

The genre for these episodes are mainly action.

This arc wasn't nearly long enough to get me emotionally invested. It was nice seeing the other SAO survivors(Klein, Silica, Lisbeth) get the spotlight for fighting, but, overall, the dungeon's setting was too bleak, and the story wasn't nearly as suspenseful as other arcs. 6/10

Mother's Rosario - This arc nearly matches up to the brilliance of Aincrad in half the episodes. Asuna's character development was the main focus of this arc and just like Sinon in Gun Gale, another character is introduced in this arc: Yuuki Konno, a swords-woman that has earned the title of "Absolute Sword" for being the strongest player in ALfheim.

This arcs' genre is mainly drama. It can be pretty heartwarming with Yuuki and Asuna's interactions, but in the end it's unbearably tragic.

Much like most of Aincrad, I was in tears for this arc and the friendship formed between Yuuki and Asuna was beautiful. I won't spoil the ending, but it's very tragic and you'll most likely cry if you have even a shred of empathy. 10/10

Art and Sound: If there's one thing every viewer of Sword Art Online can agree on, it's that it has great animation, and an amazing soundtrack. This series continues the trend, so I won't go any further. 10/10

Characters: This season did a better job in the Character Development department. Overall, the characters were very three-dimensional, and have their own problems that they have to face, such as Sinon with her PTSD fear of guns, Kirito with his inner demons that revisit him from SAO, and Yuuki with her terminal illness.

The backgrounds of the new characters are introduced well, and some of the characters from the first season get more depth.

This being said, quite a few of the characters are still sidelined.

I mentioned that I'd have to wait for Mother's Rosario for Asuna's character development, and this arc made up for the limited amount from Season 1 flawlessly. 10/10

Enjoyment: I mentioned that this season solidified my opinion on the series, and that opinion is that this is my all-time favorite anime. 10/10

Mother's Rosario helped me realize that Sword Art Online really lives up to the 'Art' part of the name. Not only with the many interpretations that every viewer has had(both "masterpiece" positive and "train wreck" negative), but also from how it's able to connect with the fans on a very personal level and become more of an experience rather than a simple show.
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Negative Points: Episode 13 was beyond disturbing. I won't spoil it, but it was very uncomfortable.

Action wasn't nearly as exciting as the past season.

Unnecessary fan service that breaks tension in episode 11.

Excluding aspects or story points from the light novels that would have improved the overall quality of the GGO arc.

If you're watching the English dub of Season 2, there are two contradictory lines of dialogue. One relating to a game mechanic in ALO (beast taming) during Calibur, one relating to an event in Mother's Rosario (the floor the Sleeping Knights and the SAO survivor team clear shown in the final episode, as it's supposed to be Floor 28, but they say Floor 23). These minor plot holes are only present in the English dub. The English subbed version doesn't have this fault.

Bonus Points: Still continues the trend of presenting nearly all of the information needed for understanding the plot. This as well makes the story limited in ACTUAL Plot Holes.

Greater focus on character development helped me to connect with the characters much more than Season 1.

Focuses more on how VR affects reality.

Asuna going back to being a bad-ass, and getting far more development.

As long as you don't interpret anything the wrong way, there really isn't any other girl character that "falls head over heels" for Kirito, or has a crush on him. Overall, it's just a nice friendship between him and Sinon with a little bit of cute flirting solely for the purpose of trolling.

Mother's Rosario having the biggest tear-jerking moment of all tear-jerking moments in this series. (T_T)

Correcting a lot of the weaknesses from Season 1.
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Overall Score: 10/10 Does a great job at improving an already amazing anime.

If you can afford to give it another chance, I'd highly recommend seeing this season.

If you still hold hatred for this series, and don't have the capacity for being optimistic, or giving it a chance for redemption, then there's nothing I can do.

Sword Art Online is a series that needs no introduction. To be quite frank, the first season spawned a lot of controversy with the adaptation. As a show taking place in an online realm, the series had a lot of potential but never really capitalized on them when it came down with the story and characters. Luckily, season 2 does freshen up a bit with some brand new storylines and characters. In particular, one of the first story arcs involves Kirito stepping forward into a new realm known as GGO.

To trace back a bit, the series is based off a light novel of the ... same name written by Reki Kawahara. As a 2 cour series, this sequel focuses on three different arcs that are adapted from the light novel starting with GGO (stands for Gun Gale Online although the actual arc is titled Phantom Bullet). While the name seems unorthodox (guns in a show with a title called SWORD art online?), the arc actually deepens its mechanics in ways that are more profound than the original. The first few episodes highlight this by exposition and explaining thanks to a young girl Kirito meets in-game named Sinon. Regardless of how GGO functions, Kirito’s main goal isn’t to actually win but to find out a mysterious killer who seems to know him. Meanwhile, we learn more about Sinon and her fear of guns that leads her to make a goal of herself: to get over that fear. While the motivations of both characters are farfetched, there’s a definite connection between the two as the game progresses.

Now, introducing a brand new major character can be a hassle. Luckily though, Sinon isn’t a weakling and she has the resolve to accomplish her goals. We also get flashbacks with concrete background information on her so nothing is left out to make viewers wonder her motivation. But the problem still remains with Kirito and his self-centered goals. While it doesn’t necessarily ruin the arc, his goal of trying to hunt down a cyber-killer is nothing less than generic and similar to ALO ( him trying to find a villain who tried to ruin his life and Asuna’s?). Somehow though, the arc does manage to connect Kirito and Sinon despite some clingy and over-dramatic dialogues. A few episodes also stretches a bit to highlight how close they become in-game, despite them being enemies at one point. The ending of the arc is nonetheless predictable with Kirito playing a hero like the usual poster boy. The good news is that the GGO arc has great concept with its competitive angle. Competitors, weapons, and setting is visually adapted with elegance and astonishing features. Even the cyber-killer looks convincing enough to be called a menace with some cool gadgets to show off. And Kirito still remains very OP for someone new to the GGO world. When it comes to the action front though, GGO is where the game can be proud of itself. However, the antagonists from the arc is downright stereotypical, generic, and has a delusional purpose when the audience finds out the truth of their goals. Did I also mention predictable? SAO is a lot of things and the show never seems to escape that word.

As the series covers three different arcs, there’s an intermission of sorts. Perhaps I’m saying this wrong but the episodes taking place between GGO and Mother’s Rosario (the other major arc to be adapted this season) feels like so. In this so called Calibur arc, the series returns to its generic setting of sword fighting in their online virtual realm. Kirito also gets a new sword to show off while his female companions seems to try to get their senpai to notice them. The arc is fairly standard and predictable that uses tricks from the old books. However, I do give praise to the choreography and action presented. Every character gets some kind of highlight with their skills. It’s important to realize this since it also allows the viewers to see how far their skills developed since the first season. One other important element to notice in this arc is teamwork as the arc doesn’t just give Kirito all the screen time. Even Klein, a character that some people might have forgotten from SAO, returns and gives the audience something to about. To me though, this seems like a preparation to what’s to come soon; a way for the characters to stretch out their muscles and be like “We’re ready to take on anything now”. Still, it lacked much depth or appeal with the story development.

The final arc of the season titled ‘Mother Rosario’ take up the remainder of the season. This arc has more of a slice of life and action-centric flick mixed in together. While it starts off slow, the arc gets to its point quickly once the mechanics and backgrounds are fleshed out. Asuna, a character that seemed almost completely pathetic during ALO, finally gets a chance to redeem herself in this arc. Rather than have her knight in shining armor (Kirito) do all the dirty work, she takes it upon herself to deal with a new conflict. Most importantly is how we see Asuna and her family is like, in particular with her mother. It shows a different side of her lifestyle beyond just spending time with her boyfriend. There’s also a case of ideology that can be seen as controversial depending on whose side you agree with. But for what it’s worth, the arc bounces between real life issues and in-game motivations; a direction that definitely outshines its first half. Not to mention, the action scenes are fairly well done with decent OST and coordination when it comes down to the actual dueling. The arc expands beyond just dueling though as we learn more about the new character (Yuuki) involved and what the audience may be carving for.

When it comes to visuals, it’s fairly standard to see that SAO has touches of fantasy to it whether it would be the settings, characters, monsters, or whatever else you would typically see from an RPG game. Similar to season 1, A-1 Pictures adapts this based on the light novel designs. While fan service toned down a bit, there’s also some zany gimmicks used such as gender bender and the animal characteristics. In spite of this, the GGO setting is one I found to be the most evolved on the visual front. Taking a closer look, the landscapes is desolate but rich with details for a perfect setting for battle. Not only that but characters are designed like they actually have the edge to fight as if their life is on the line; unlike the previous season where some character had cardboard box designs. Action and production values also strengthened with more stylized movements. However, most of the returning main characters still remains generic to their character designs with little change. They are unmemorable on physical standards although I do give some praise to Sinon’s character.

Soundtrack is perhaps the weakest detail of the sequel. Nothing is really changed to the OST besides some minor adjustment while character voice mannerisms remains generally the same. While the first OP song is catchy, the remainder are mediocre that almost all sound the same. Most of the voice castings are also very standard with cheesy dialogues and overused words often to highlight some sense of emotional value; although real life conversation between some characters are worthwhile in particular with Asuna and her mother. I have some mixed feelings with Sinon’s voice with that tomboy tone of hers. While she definitely has a sense of independence with that tone, it also seems bratty at times and feels cranky. Other times though, she can be appreciable when we see her as a person.

As a sequel, SAO II is definitely an improvement of the first season. It gave returning characters more development and screen-time on their own while also debuting new characters with their purpose. The first arc (GGO) highlights the mechanics of the game at a much better way than the first season while also has a meaningful purpose for Sinon. Unfortunately, it doesn’t escape the usual “hero save the day’ shenanigan or one dimensional villains with their mojo. But for what’s worth, SAO’s technical aspects shines more than what is expected when it comes to action. The Calibur and GGO arc are a testament of this while Mother Rosario also gets its moments with consistent choreography such as the dueling scenes. As the show did evolve, this sequel does have potential but don't expect a huge blockbuster.

To sum it up:

The story (GGO/Phantom Bullet: 6/10), (Calibur: 4/10), (Mother Rosario: 8/10 ) – each of them offers something new to the tables; some still suffers from generics and weakly developed tropes.
Characters (7/10) – rather than Kirito become the host of his own show, we get development of Asuna and Yuuki, focus on Sinon, and also teamwork during the Calibur arc with each character getting some sort of spotlight
Artwork (8/10) – much better than season 1
Soundtrack (5/10) – repetitive and edgy along with second rated voice mannerisms
Enjoyment (6/10) – a fun adventure with different feelings of each arc

It's my first review here and english isn't my native so, forgive me if I make some mistake!

Let me start this review by saying, yes, your eyes aren't fooling you, i rated this as a 9, i'll explain my reasons below, it's going to be long but i'll add a tl;dr version at the end of every 'arc'.

SAO is a series that doesn't need any introduction, its really popular, loved and hated, but, before you watch SAO2, i need to tell you something so you can enjoy it to its full potential, first, SAO as a whole is NOT about action nor romance, it does ... have some, but it's not the main theme, not even in SAO1, not in SAO2, not even in the hopefully coming SAO3.

Made my point clear, i'll start the review, which i'm going to split in 3 arcs, just like the anime.

Phantom Bullet Arc (eps 1 - 14)

Story: 9

SAO2 starts where SAO1 left us, Kirito and Asuna going to the SAO survivor school together, it's been a year since SAO incident and VRMMOs are still really popular thanks to The Seed, which made possible to create a bunch of new games. One day, Seijiro Kikuoka from the "VR division" asks Kirito to investigate about a rumour that was spreaded in a game called Gun Gale Online, where, if you get shot by a mysterious avatar with a black gun, you will die irl, Kirito is reluctant at first, but gets curious about it and ends up accepting the job.

Art: 9.

As usual, SAO's visual are AMAZING, not much to say here.

Sound: 10.

The soundtrack is really fitting, from the OP to the ED, you can get an idea of the characters, their struggles and their wishes. The OST, as usual, amazing, one of Kajiura's best jobs.

Characters: 8.

First off, we have our so-loved and so-hated MC, Kirito, getting some development and action here and there, no need to say much about him.

Then, we have Sinon/Shino, the female lead in this arc (no, Asuna doesn't appear much) one of the best snipers in GGO nicknamed "Icy Sniper" because of her calm personality during battles. She wants to win the Bullet of Bullets, GGO tournament. As a character, she is really well done, she has a backstory, development and courage.

Enjoyment: 7.

The only reason my enjoyment is low compared to the rest is, the butt shots, this seriously ruined some scenes in this arc, Sinon's ass was focused A LOT in 14 episodes, even during serious scenes, made the anime kinda annoying.

Overall: 8.6, compared to the 9 i gave this in LN, all thanks to ass shots, A-1, you're the real MVP.

TL;DR: This is really good, the pace is the opposite to SAO1, it's slow and takes its time to develop but be prepared to see Sinon's ass A LOT, music and animation are awesome as usual, if you like Psychology, VR and Games, you should try this, if you are expecting a lot of action, you should go somewhere else.

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Caliber Arc (eps. 15 - 17)

Story: 6.

This mini-arc is a Side Story, shows the entire group doing a quest to get the Legendary Sword Excalibur, it also explains the Cardinal System, really needed for possible SAO3.

Sound: 9.

New OP by Haruka Tomatsu and ED by LiSA, loved both of them, really good as usual, the OST really fitting for the scenes.

Art: 8.

As usual, amazing. The battles are nice, the magic effects are done wonderfully.

Characters: 7.

It's the whole group, there is not really a need to explain all of them.

Enjoyment: 7

Well, it's a side story, it had fun, action, some little romance here and there, nothing so impressive, but good nonetheless.

Overall: 7 compared to the 7.3 in the LN, well, some scenes were changed, but still solid.

TL;DR: Not impressive, but its fine for a laugh or killing time, sound is awesome, explains Cardinal System for better understanding of next arcs.

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Mother's Rosario Arc (eps. 18 - 24)

Story: 10

And so, we get to the best arc this season, Mother's Rosario. In ALO, there's a rumour about a player nicknamed as "Absolute Sword" who has been doing a lot of duels in some island. With 69 wins at row, this player catches Asuna's attention, specially after hearing that Kirito lost against him. Who is this player? Why is he doing so much duels? Prepare for the feels.

Art: 10.

Amazing, nuff said.

Sound: 10.

THIS soundtrack, same OP by Haruka Tomatsu but new sequence, new ED by LiSA called Shirushi, both songs are amazing, specially the ED with all the feels, OST is great also.

Characters: 10.

First off, we have Asuna, our so-loved and so-hated female MC. In this arc, we see some development for her, we can also see how is her relationship with her family, which will lead to a trip full of feels.

Then we have, Zekken, probably, one of the BEST SAO characters, even in the LN, strong, fast, this player holds a big secret which is going to send you to feeladelphia.

Enjoyment: 10.

I loved everything about this arc, was adapted really well, the scenes, soundtracks and everything portrayed its meaning perfectly.

Overall: 10.

TL;DR: An arc full of feels, a new player with 69 wins at row, one of those against Kirito, this player will have some serious effect not only in the story, but Asuna as well, it's really worth watching.

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Overall for SAO2: 8.6, rounded up to 9.

If you are a SAO fan, you could like this, even if youre a hater, the story is really well written, most of the failures are from animation itself. But don't expect so much action, its slow paced, but its really worth a shot.

-- Overview --

The SAO franchise, and particularly SAO II, is a very controversial series. It is disliked by a lot of people, and the complaints are quite damning. For these people the story seems disted, the characters make decisions that don’t make sense, and the pacing is all over the place. Those that make such complaints are happy to describe how they think they would act if they ever found themselves in a similar situation. These people generally have something in common. They have either never played any MMOs, or played them very casually. In this I am sorry because they will likely never understand ... the depth that this anime has to offer beyond a few nice pictures and pretty songs.

This anime, and the entire series, is a love story for and to the MMO players, made by MMO players. That means many, if not most, of the intricacies of the story and characters, and indeed even much of the message fails to come through if you do not have fairly extensive hardcore experience in MMOs. This is unfortunate, because the depth of this anime is on par with some of the greatest stories I have seen in this medium. To make matters more difficult, the story requires a very good understanding of the plot and themes of the first SAO to completely appreciate. It is simply not be well suited for casual watching; little details of vital importance flash for short seconds, often in completely unexpected scenes. Characters do things that are easy to misinterpret unless you can understand out what’s going on in their heads. The relation between the various events are rarely spelled out, leaving you to fill in some of the blanks yourself. All of these are things that make sense if you the source material is a book. The anime is very true to the book, and thus it should be watched with the same amount of attention and tolerance that you would put into reading a good novel.

If you can accept the level of engagement required, SAO II is an absolutely wonderful experience. It paints an accurate picture of what those of the mid-2010s thought life would be like in 2025. It covers some of the most important questions that you could ask. It tells a story that knows that it's better to show, rather than tell. Best of all, it does so in a package of impeccable artistic quality; sporting both gorgeous art, and very atmospheric music. This is quite critical for the story. Due to the absence of a novel’s narrator, the series has a penchant of dropping into the point of view of the various characters. This is often the only gateway the viewers have into the mind of the characters. It also helps justify a good bit of fan service; such is the mind of a teenage boy.

The biggest problem that I could really complain about were the occasional inconsistencies across scenes; spelling mistakes, characters in strange positions, and minor bits of continuity strangeness that you might notice on the second or third watch-through.

It's a series that meant to mature and bloom as you understand it better, and in doing what it set out to do it is an absolute masterpiece.

[Spoilers to follow]

-- Story --

Any discussion of SAO II must inevitable be prefaced with a discussion of SAO. This is a plot heavy sequel of a plot heavy anime, and it's simply not possible to understand the various character study arcs without some understanding of the message SAO was trying to deliver. At the core of SAO was the question of "What is Reality?" Eventually it arrived at the answer that your reality was what you made it, within balance and reason. In the process it followed the daily lives of a few perfectly normal people as they went through a dangerous world they could never have been prepared for. It let you see into the lives of two kids that suddenly had to fight for their lives, and mature long before they should have had to. Most of all, it did so in a perfectly believable way that any MMO player can easily relate to.

SAO set the stage for SAO II by introducing the characters and the experiences that brought them together, and then gave way to SAO II to truly study what this meant for each of them. SAO asks, attempts to resolve the question of "What is reality?" Then SAO II picks up this theme by asking the only question that hopes to achieve the same scope and scale. This anime is a thematic study of the question “What does it mean to live and to die?

Everything in SAO II is questioning the meaning of life and death, particularly when it comes to this world that the characters have accepted as being equal to their own reality. Everything from the first arc, which blurs the line between death in the real world, and the virtual, to the last which offers a bittersweet glance at what it means to live life to the fullest. Even the middle arc offers an interesting perspective on how alive the world the characters inhabit really is, and how deep the attachment to this world runs in each of them. Weaving throughout all these themes, the series manages to include a heartfelt romance, a good look at various cultural idiosyncrasies of Japan, entertaining fight scenes, and a variety of worlds each totally different from the other.

-- Characters --

The characters were probably the strongest point of the series, assuming that one took the time to really empathize with them.

Kirito is a normal teenage boy, with normal teenage interests. He’s fascinated with VR technology, and has dreams of realizing his own ideas developed over years in this sort of game. Behind this mask you have a boy who was forced to become a soldier, and bear the burden of thousands. He’s a person that wants to live his life in peace, but is willing to help those in need. He shows a deep attachment to the world that became his home; the world where he met his love. He acts like a person forged on the battlefield; when under pressure he takes charge, and when he is safer he understand the need to rest and plan. He actually shows traces of PTSD, with clear hints that he’s spent quite a while dealing with these matters, either alone or with professional help. He’s also a bit of a pervert, but what would anyone expect. The book makes it quite clear that he an Asuna share a rather intimate relationship.

Along with Kirito the first season introduces Sinon, who is a bit of a "foil" that the story uses to help compare and contrast with Kirito. Like him she had killed someone, but unlike him she never had the experience to deal with the result. Instead she built herself a nearly schizophrenic persona of a quiet sniper running with the rough and tumble gunmen of the world of GGO. As the first arc progresses we get to see as she slowly manages to put her trauma behind her, and recaptures the more friendly and outgoing persona that you might expect of a girl that age. She does fall off in importance once the first arc is over, being relegated to an minor role for the rest of the series. This makes sense when you consider that the Sinon is Kirito’s friend, while the second major arc focuses on Asuna.

This brings us Asuna, arguably one of the most interesting characters in the series. While we are only treated to hints of her problems during the first half of the series, the second half does an amazing job of telling her story. Here we learn that Asuna is facing some serious challenges of her own. Despite her normally happy appearance we get to see that Asuna is troubled by her position in society. As the daughter of influential people she is faced with certain expectations that run counter to what she wants from her life. However, her upbringing, and the cultural gulf between her and her mother makes solving those problems quite difficult. Despite all of that she manages to put on a strong face for all of her friends, even when she finds out that the first female friend to truly understand her is a young girl in the terminal stages of AIDS. In this she acts as a pillar of stability for those around her, protecting her family above all else.

Yuuki is a mirror into Asuna’s character in the same way that Sinon was a mirror of Kirito in the first Arc. Like Asuna, Yuuki strives to protect her friends in the face of insurmountable circumstances. She too puts on a mask of the happy, cheerful girl, even when her reality is a broken body constantly on the verge of death. She works hard, and does her best so that the technology which let her live the last of her days in happiness can help others. With her strength of will she even helps Asuna find the strengths to confront her mother, es on a legacy that will live on in the VR world, and receives a true champion’s farewell.

Then, we have the "harem." Despite what some chose to see, this is actually a fairly normal a group of friends who have formed a bond akin to family with this alternate world. These are people that lived, bled, killed, and faced sorrow with the main characters. Some of them have traces of an old crush on Kirito, though that is rarely played out beyond exasperated sighs as they watch Kirito and Asuna cuddle in the distance. Nevertheless, all of the of this group are well fleshed out characters with interesting personalities and unexpected depth. For the most part these characters add a softer, often more comedic edge to the interaction. That’s not too say that they lack serious moments, but unfortunately they simply cannot get the serious treatment that the main characters enjoy.

Finally, I cannot let the review go without bringing up Yui. The character that gets the most complaints for not being human enough, and for her role as a silly diversion. Ironically, Yui is the one that best exhibits what she was meant to; she is an AI, and behaves herself in a consistent fashion with the rules of the universe that we are introduced to. There are even hints to a deeply technical side of her that is very close to Kirito, and helps him in his day to day life. Unfortunately we rarely see her outside a tentative role, though I believe there is a lot of potential there had the show dared to explore it further.

-- Art & Sound --

There is little to say here. The both the artistic and audio direction were top notch. The studios selected were clearly picked for their ability to deliver a complete package, and I believe they managed to catch the mood and the theme of the series perfectly. The music was quite amazing and thematic, connecting well with the ideas of the show. It’s truly difficult to match the melancholy feeling that the last ending theme evoked when you realize that the song was something shared by Asuna and Yuuki, as the last notes fade out over Yuuki’s memorial.

I will take some issues with the character animations, particularly during dialog. While the backgrounds are always utterly amazing, the characters are often too still, and too simple to really do justice to the backdrop. It’s something that’s fairly easy to forgive given the consistent style, and exciting battle scenes, but it still stands out at times.

-- Enjoyment --

If you are willing to invest some time into this show, and truly dive into the world then it offers an experience few series can match. If you can relate to the experience of farming rare items for weeks on end, of gathering materials for a rare recipe, of spending weeks and months on a new boss, and of meeting friends that will last a lifetime through the screen of the game, this series will speak to you like no other. If you are willing to treat this series with the care and attention given to a book, then you will find an involving and captivating plot. If you can look beneath the surface you will find a deep world full of wonderful characters. Unfortunately if you are just looking for a normal anime experience to fill out your list then you might not even see a glimpse of any of the things I speak of.

-- Overall –

This series completes the package that is SAO. Even if we never see SAO III, I will hold it in my heart as one of the greats.

I would be a fool to claim that this is a show for everyone. Clearly it will not appeal to every person that picks it up. However, I do not believe that this is a shortcoming of any sort. I simply do not see how it could have delivered such an experienced to a wider audience, at least in anime form. Maybe more people might understand it if read from the book, but that’s not really here or there in an anime review. In short, when seen by the target audience, this show offers an experience that matches and even exceeds some of the very best masterpieces of the past decade. For that I give it 10/10, and to those that understand why I raise my glass. May we meet again, and share the stories of the worlds that we have seen.

‘Right here, I can’t tell you what I’m thinking and what I feel. I want you to see my world!’

SAO was a one trick pony. Its death game premise burdened the already heavy task of climbing Castle Aincrad’s 100 floors. But the illusion of the unconquerable castle would often break, as the anime proper would skip floors at the story’s convenience. Halfway through, the show lost the sense of scale it needed to cover for what the characters lacked. In many ways, we saw their world, but not their feelings. SAO was a lukewarm experience.

Which makes me proud to say SAO II is actually quite ... good.

A year after the SAO incident, Kirito is assigned to investigate a series of real life deaths linked to the videogame Gun Gale Online, or GGO. By playing GGO, Kirito hopes to directly the prime suspect, Death Gun, and discover the truth behind these deaths. Let it be said now that, much like SAO, SAO II is more of an alternate world fantasy than a reflection of videogames. There are inconsistencies in the game mechanics abound that would make videogame purists cringe. Then again, if you’ve seen the first season, there’s nothing here you haven’t seen before.

Except for the things we haven’t seen before. It’s a lot, and it’s mostly for the better. The pacing is now steady and believable, instead of skipping multiple events at a time or spending a lot of time on one event. In turn, Death Gun’s dominating presence in the GGO storyline is unmitigated, while the Mother’s Rosario story arc is steeped in nostalgia. Unfortunately, the three episode mini saga of Excalibur is little more than SAO II’s last love letter to its harem fans without care for telling a good story. But the crack left by the Sword in the Stone is barely a dent to its characters.

And it’s a good thing too, because what SAO II lacks in scale more than makes up for in its characters. Kirito especially has improved a lot. Gone are the days where his only real challenges were ones where strength alone wasn’t enough. Now he’s both ‘mentally’ examined and physically tested, especially during GGO. He is a much more rounded character for it, but unfortunately this character arc doesn’t go the extra mile. The source of his inner anguish also feels like a rewrite of SAO.

Co starring with Kirito in GGO is Sinon. Her quiet casualness in real life masks a silent strength in the game, but there’s no moment where her real self and game self clash to make her feel like a different character. It’s two identities created by a single incident in her past, with the events of GGO bleeding them together and forcing her to confront her fears. It is a slow burning, punishing journey that thankfully does not fully solve her problems even at the end. The story recognizes how weakness needs to be overcome one small step at a time, and the time with Sinon is time well spent.

Unfortunately, Sinon’s development isn’t the only thing SAO II likes to show off. To be sure, the fight scenes and music are still as slick as they ever were (I freaking love Tomatsu Haruka’s ‘Courage’), while the GGO setting is lively and distinct despite the brown and grey everywhere. From the shrub forest encroaching the river to the mesh of an abandoned metropolis and old west town, SAO II is the envy of first person shooter games everywhere. It’s just too bad the visuals also show off Sinon’s backside a bit too much. Which is odd, because the last story arc, Mother’s Rosario, doesn’t have anything like this.

Well, whatever.

If the Alfheim story is what took away Asuna’s integrity from the Aincrad arc, Mother’s Rosario puts this woman back in form with a vengeance. She’s faced with the reality of what two years lost means in real life, while forging the friendship of a lifetime with someone in the game world. Asuna doesn’t develop in this story in the traditional sense, but she doesn’t need to. She’s smart enough to know why some people are acting the way they do with her, while her congeniality was always a part of her. What Asuna needed were characters to bounce off of, and the Mother’s Rosario provides just that.

In particular are the two characters this story introduces. One is estranged to Asuna to play the role of antagonist but never a villain. She is frighteningly believable in what she says, and could definitely hit close to home for a lot of viewers. The other character is one half of the most believable relationship in the entire series. The development between them is silly, sweet, smooth, and not once does the feeling between Asuna and this new character ever feel romantic. Their relationship flawlessly glides across the tightrope called ‘intimately platonic’ that’s so easy to fall off from.

Talk about refreshing.

On top of all the surface improvements from SAO, SAO II is thematically unified without being heavy handed. From Sinon’s reason for playing GGO, to Death Gun’s motive for terrorizing others, to another’s gung-ho liveliness in the game, SAO II is more about the power of online identity than an alternate world fantasy adventure. For better or worse, people change who they are or show their true colors online. And SAO II builds this naturally to the point where the show never loses its narrative breath.

The mark of a good story is it won’t build itself around a theme, but that the theme builds itself around the story. For SAO II to understand this despite having blundered so much in its first season on top of its own improvements, honestly makes me wonder: is this seriously the same series that left me so conflicted? THIS is SAO?

And then I looked again.

This is SAO II.

It was the Fall of 2012, and it almost seemed as though the world was in a bleak, dark place of temper tantrums and violent outbursts. These were formed due to the nature of a straightforward question: Is/Was Sword Art Online that good or bad? Both sides had convincing arguments for their reasons for disliking or liking the show. But, ultimately, it has now become a staple of how every year, there is that one over-hyped show that defines anime of that year. Now it’s 2014, and we finally have its sequel under the cheers and groans that look forward to or dread it.

The one ... question remains amidst its conclusion: Is Sword Art Online II better than Sword Art Online? The answer is: yes, kind of?

Please make no mistake I was, and am, of the camp that did not see the general appeal to Sword Art Online. With its sometimes flashy action sequences, the brilliant score became a general mess of incoherent pacing, god awful 2nd half, and atrocious character development. As we advance with Sword Art Online II, all but one of these negatives that I had with its prequel are officially gone: character development. Of course, this is because the prequel introduced these characters, albeit for a short while, so now, with the sequel, we can get to know these ing characters a fair bit more than at first glance. This, in turn, makes them a little bit more relatable and likable in that scenario.

Some characters are new to the series that make their debut in this sequel. Sinon being the most notable and excited character, it is poignant to see how she holds up as a character all her own. From her standout arc, Gun Gale Online, there are some positives to her that I can see clearly, but other times I see plenty of negatives that keep her from being great. To put it more into perspective, Sinon has a likable presence and personality that is easily relatable, but her character arcs involving her psychological trauma are, suffice to say, hokey. Her unwillingness to shoot a gun and yet can shoot at most enemies in the game without hesitation comes across as a bit counter-intuitive.

This hokey logic can be applied to the story at large. However, I will say that the story is, by far, the one thing that they didn’t make even worse from the prequel. There are hiccups in leaps of logic, and there are some. Most of them don’t come close to how badly they were beforehand. There is, of course, the unfortunate illness to the series where the 2nd half of Sword Art Online becomes weaker as it goes along. It was messy storytelling throughout the 2nd half of the previous season. Here it's just flat-out dull and meandering. All it is just an uneventful, sappy melodrama involving Asuna and one other character whose backstory I won’t spoil. And really, the less Asuna in any season, the better.

Even with the problematic story elements aside, there are certainly a few moments in Sword Art Online 2 that seem almost laughable in their attempt to be serious. One instance is one of the antagonists going on a full-on psychopathic meltdown on our hero Sinon for nearly five minutes. I almost felt as though the voice actor couldn’t do the script justice and tried his best to make it dire but failed to do so. What went on was this overacting scene that felt way longer than it needed to be; at the same time, it did give me one of the hilarious moments in anime this year.

Now we have what many come for Sword Art Online for the butts. Er, I mean, the animation and sound! Seriously though, unanimously, everyone can make the case that this series has outstanding production values. It does have some nice slick backgrounds with immaculate lighting to make the world feel vibrant and alive. With this, we have the fighting scenes to go with it, which I seem to be of the minority that the fight scenes in Sword Art Online are pretty mediocre at best. Compared to other shounen shows that do their action scenes well, here in Sword Art Online 2, most of the fight scenes are pretty tame. The first one had way more quality action, and even then, it didn’t hold a candle to other better fighting shows out there. This entails how the characters’ actions seem disted, and their movements feel rough around the edges at specific points. Nevertheless, when it’s not going for fast-paced action, the art and animation are stunning for the eyes to see and gander.

It would be far-pressed to express some sort of relief that the sequel brought us something that’s not unwatchable, even if it still wasn’t a great final product in the long run. I could see myself watching this again, insomuch how I would prefer it over the prequel if I had a choice. It still can’t be given a ing grade of the story’s pacing and writing problems that lower its quality amongst other shows that deserve it more. As if that wasn’t enough for over-hyped shows, to begin with.

Grade: C-

When I heard SAO was getting a second season, I was excited. Yes, SAO is one of my favorite animes, but I try not to let that cloud my judgement for how I would score it.

Story: 6
As you can read in the series description, a player of a shooter VRMMO is killing people in the game. This is the first arc (Phantom Bullet). Kirito gets sent into the game because he's apparently the closest thing to a professional gamer at the disposal of the company trying to solve the mystery of how the player is killing people. Sinon is a sniper in that same ... game and she's trying to overcome some trauma from her past by 'becoming strong' in the game. It felt a bit drawn out at times, but it still kept me interested as I waited to see how the arc would end.

The second arc (Caliber) is more of a filler arc than anything. Kirito and his harem go on a quest to get excalibur in ALO that takes three episodes. It was a fun little adventure, but it didn't expand the characters in any way, and the overall quest itself was a bit of an odd draw on Norse mythos.

The third arc (Mother's Rosario) involves Asuna taking the role of MC and going on an adventure with a new group of characters, namely Yuuki, to try and clear a New Aincrad floor before anyone else. It was a lot of fun to watch, with plenty of sword art sword play and the new group, the Sleeping Knights guild, had a secret that made me care a bit about them (I think I cared about the Sleeping Knights more than I cared about the majority of Kirito's harem).

Art/Sound: 9
The main things I love about SAO return in its second season. The music sounds fantastic and the art is amazing. Not much more needs to be said there.

Character: 6
The usual shortcoming of SAO is its characters, and its second season isn't really an exception. The third arc has Asuna trying to face her own weakness in the real world compared to her strength in VRMMOs, but it's kind of a side-note to the story. Most of the attempts at character development are seen in the first arc. Kirito finally starts to deal with the trauma that comes with the fact that he killed people in Sword Art Online, but that's about it for his character. Sinon, the other MC for the first arc, is given more depth as she tries to come to with her own past. However, her interesting character is practically dismissed in order to turn her into the missing tsundere component of Kirito's harem, which was rather disappointing to see. She was a strong character who was reduced to a mess when her trauma followed her into the game, leading her to completely rely on Kirito in the most tsundere ways she could.

I wasn't really a fan of how much of a prodigy Kirito became out of nowhere in this season. Hacking SAO itself back in season one to save Yui wasn't enough to prove his technology prowess; he now makes little cameras that make it so game characters can see the real world without any difficulty whatsoever. The only explanation given to his mechanical genius is that he has been on the internet.

Enjoyment: 8
Even though I was REALLY disappointed to see Sinon merge into Kirito's harem without a second thought, it was still a fun season to watch. The art and sound still kept the scenes alive for me and I managed to forgive the shortcomings in the characters and story just because I was still having fun. It may have been ridiculous, but it was fun watching Kirito basically turn into a jedi to deflect bullets in a shooter game.

Overall: 7
It's still SAO. Kirito has his harem and still cares for Asuna. Sinon unfortunately becomes a part of the harem, but had a good char before that. Art and Sound still carry the show past its shortcomings for me.

It is time to review a story that never should have taken place. By any measure of realism and sensible writing, the show would have ended after their escape from SAO, the technology would have been banned in the wake of the public outrage, and there would be no need for further walls of snarky reviews at MAL.

But there was more money to be made, and what are realism and sensible writing compared to that? So here we are then.

When reviewing season 1, I implied that the second arc was a cashcow, and I feel the same applies here. It is a thinly veiled attempt ... to stretch out the SAO franchise for quick cash, a calculated money-grabbing venture. A part of what makes it that way is that these new arcs don't contribute much to the overall narrative. It's just adventuring for the sake of adventuring. It doesn't help that each arc is fairly self-contained, with a jarring transition from one arc to another. Now, I'm not against multiple plotlines but here's an idea: try developing them simultaneously, side by side. It would also improve the show from a world-building perspective, creating a stronger illusion of an actual world instead of this clip show of the protagonist's adventures.

This season is divided into no fewer than three arcs, so I'll have to go through them one by one.

Gun Gale Online arc: 3

This is the longest of the three arcs, taking up 14 of 24 episodes, so it stands to reason that the most effort should have gone into this. Predictably enough, this is not the case and it drops the ball right at the starting line.

The premise is that players of a virtual reality MMO, Gun Gale Online, are dying in real life after being shot by a magic gun called the Death Gun. This gun is wielded by the creatively named character, Death Gun, who is subtly dressed in robes and a steel mask so that nobody could figure out he's the bad guy. How are the authorities going to investigate this? Track Death Gun's IP address? No, of course not. That would be stupid. Obviously the only way to solve this problem is to call Kirito.

For the record, there is an in-universe reason why they can't track Death Gun down: the people running the game are apparently refusing to hand over his player info. Furthermore, they are in the United States, and obviously the American authorities won't ask them or simply place them under surveillance because... shut up. Seriously, if you're going to use that as an excuse, at least place them into a third-world country or something. After the SAO and ALO incidents, I can't believe for a second that there'd be such a lack of government oversight. If all else failed, they could simply threaten to launch a negative media campaign over the deaths to force the GGO staff to hand over the data or go bankrupt.

This is something I mentioned in my SAO review, but I cannot emphasize it enough. After the SAO disaster and the consequential mass hysteria, it would have only been realistic to ban the technology. It doesn't matter if the new hardware is safer. People just wouldn't trust it. After all, the old death trap ed safety inspections with flying colors too. (I'm being generous here and assuming they actually have safety inspections in the SAO-verse. I could be wrong.) Add to that the ALO incident where government safeguards failed again, and this lack of regulation and oversight becomes all the more ridiculous.

*cough*
Anyway, Kirito is asked to put his life on the line in an MMO again. You'd think he would refuse after spending two years trapped in a life-and-death struggle, but we wouldn't have a new story otherwise, so after brief hesitation he jumps right in. He logs into GGO without any kind of prior experience of the game or any weapons or a pool of funding. He also converted his old , so he is going with his famous standard name. These government-funded covert operations sure are overrated.

So why did they ask Kirito who has no experience in this game, especially given how it's played by professionals for cash prizes? The reason is simply that he can be trusted because of his earlier involvement. ...Okay, I might buy that if Kirito was just going to play casually, but instead he s the tournament where all the top players gather. Realistically he'd be eliminated right away, but this is Kirito we're talking about, so he's immediately better at it than the people who make their living out of it. This is because he has the good sense to bring a sword into a gun fight, and by sword I mean lightsaber, complete with Star Wars sound effects. It's only fitting that he has godlike reflexes and can deflect bullets with his sword, up to slicing them in half in midair. In a word, he is a Jedi.

I mentioned gun fights because GGO resembles a first-person shooter. The strange part is that you can see bullet lines to predict enemy shots, with the exception of a sniper's first shot, which is an odd design choice to say the least, or rather it ruins the whole thing. But Kirito has figured out it can be faster to just look where the gun is pointing or follow their eyes. Why nobody else has realized this simple fact is beyond me, but that's apparently how it is. It is this insight, along with his overpowered reflexes, that allows him to easily beat an allegedly impossible minigame no one else could.

He also encounters a female sniper called Sinon who suffers from PTSD and is morbidly afraid of guns in real life. Which is naturally why she's playing a gun-themed MMO as a form of therapy and is completely fine with guns within the game. Probably not the first line of therapy I'd recommend. She is also frequently used for fanservice, which shouldn't really surprise anyone.

If that wasn't bad enough, Kirito is pretending to be a girl to gain Sinon's trust and apparently to troll random male players. This gives an opportunity for additional fanservice in case Sinon isn't enough. I wonder if he even takes his girlfriend and adopted daughter seriously if he's fine flirting with not only women but also men. I'm also going to be generous here and assume nobody can use an avatar of the opposite gender in these MMOs because otherwise people assuming that he is female in real life is just ridiculous.

The lack of continuity becomes apparent when a raid against player-killers in SAO (by which I mean the original Aincrad arc) is retconned into the story instead of presenting it during season one. Kirito also suddenly gets PTSD over the events of SAO, despite never having problems before. Thankfully he can trivially overcome these problems, and his heroic bravery also inspires Sinon. Yes, even Kirito's flaws are portrayed as strengths.

Eventually Kirito figures out the culprit's MO by some guesswork and proceeds with a plan to obtain his name that shouldn't really work. But it does. I also think it might have been a good idea to the authorities beforehand and send surveillance teams and security to the relevant locations, but we've seen how well-prepared this covert operation has been, so maybe it wouldn't have made a difference. GGO also displays its high safety standards with the lack of manual during tournaments, which sounds damn ominous after the SAO massacre.

This is followed by infodumping the villain's backstory at the last minute. Without going into spoilers, the ultimate reveals are not worth it. Death Gun's identity is extremely anticlimactic, his method of killing is very situational, and his motivation can barely be called one. There is also the obligatory attempted rape scene to establish that the villain is in fact evil. You can't trust the audience to figure that one out on their own.

One more thing. In his spare time Kirito is developing revolutionary virtual reality applications. Sounds like a bit of a stretch for him alone compared to, say, a massive research team, but this is Kirito after all.

Excaliber arc: 3

Kirito and co. must take on a new quest to save the world of Alheim Online from a dreadful menace: their save files getting erased!

So, yeah, they are questing in ALO for three episodes, and if they lose, nobody will die, but game data will be erased. How is this a problem, you ask? Well... there are no backups. It uses a core program derived from SAO whose functionality isn't fully known. Of course the staff is also unavailable because they are all on holiday.

So let me get this straight. This is an MMO where
- the game may arbitrarily decide to have its map implode,
- there are no real backups of the game world,
- the staff hasn't bothered to check the system thoroughly enough to realize this possibility, or simply doesn't care, and
- the GMs aren't always on call, even though this game uses the same software as the infamous SAO.

I can picture it now.
"Hey, something strange is going on. I'm trapped inside the game and can't log out."
"It is currently outside hours. Please send your query during regular hours."

And, yes, I know that they don't understand how it works because they didn't build it from a scratch. But here's the thing: if you don't understand how it works, don't use it! Especially if it's software from an infamous death trap known to be full of surprises. I mentioned earlier that the technology would have probably been banned, but if it isn't even fully understood, I'd say banning it might have been a good idea.

The actual questing is pretty much just beating up some bosses and other enemies in a dungeon and short interaction with NPCs. Actually, there are some newly introduced AI characters (I suppose the threat is legit to them), but they don't get much screentime, so it's hard to develop any connection. I don't dislike the idea of having people do normal MMOing, but it would work better if the show was about that from the start. If you have death games, murder investigations and so on, a few random episodes of normal MMOing won't fit in. It is little more than a filler arc. And while you're at it, flesh out the game mechanics more. Watching a Let's Play usually works better if you understand more firmly what's going on.

Mother's Rosario arc: 5

The last seven episodes decide to go with "the feels" tactics and appeal to emotion. It's actually a familiar idea from the first season: the show introduces some new characters and, guess what, pretty soon some tragic things happen to them. Unfortunately, I found it hard to become emotionally invested in people who have only been introduced a moment earlier, especially if it's obvious they only exist for this purpose. You see, the tragedy is an incredibly unlikely stroke of bad luck, almost implausible, which makes it look very plot-convenient. The show tries to make them more meaningful by presenting deep friendship between the old and new characters in a short timeframe. It succeeds halfway, but it's still bordering on implausibly fast. At least the situation provides an application for virtual MMO technology, but it could have been handled in a way that looks less convenient.

Oh, and the main character for this arc is Asuna, which is a refreshing change from Kirito, I suppose. She is a bit less overpowered too, if only a bit, not that fighting is really the focus here. Still, we do get to see a moment where Kirito single-handedly overpowers several dozen players, but at least it's only once.

There is also another subplot in which Asuna and her mother talk about their relationship and her future career. And by future career I mean marriage prospects, for which Kirito is unsuitable simply because he isn't loaded with enough cash. In case anyone hasn't figured out by this description, or by season one's Alfheim arc for that matter, Asuna has absolutely terrible parents who care about her daughter's status and bank more than her free will and emotional well-being. I don't get how Asuna can even be on speaking with them after the events of season one, but apparently this is the case, if only barely. Still, the interaction is believable enough and manages to produce some much needed character growth, making it one of the better parts of the season.

Story overall: 4
It may not be as off-the-rails as season one, and there aren't any ridiculous timeskips, but instead we get a fragmented season with little connection between the arcs. And the arcs themselves have their own problems.

Characters: 3

Kirito: The man himself, as overpowered as ever. As far as his personality goes, it's hard to detect any notable growth. The PTSD aspect was easily overcome and it seemed artificial considering that he had never had these problems before. But the real problem is the same as before: he never has anything interesting to say. I mean, really: it's just dull heroic lines or generic exposition. No wit, no eloquence, no charisma. Kirito is an all-out action hero, but that's all he is. He is no strategist, and he isn't much use for conversation either.

Asuna: Finally gets out of Kirito's shadow and gets some development that makes her more of an actual human being. We learn more about her family, the problems in her personal life, and so on. By the way, there isn't any real development in her relationship with Kirito, but how could there be given how it's portrayed as nigh perfect from the start?

Asuna's mother: Not the kind of mother I'd like to have, but I can see people like this existing. She does get fleshed out a bit though.

Sinon: The PTSD aspect is handled so unrealistically it's hard to take it seriously, and its resolution is almost arbitrary. After the first arc she becomes irrelevant, much like most of the side characters in this show.

Death Gun: Could have been handled better, to say the least, and by that I mean both his virtual and real-world self. For starters, how about giving him some better motivation? They say that the villain makes the plot, but here there is almost neither.

Yuuki: She receives barely enough screentime. It's far more than most of the side characters, but that isn't saying much. Her backstory and role in the plot feel too convenient.

The rest of the old cast: Barely exist. They get to appear a few times, but they don't really do much. If there is anything worth mentioning, it's that Klein not getting a girlfriend has become a running gag.

Technically there are a few that I didn't mention, such as Sinon's friend who only exists to be inferior to Kirito in Sinon's eyes, and the government official guy who just stands there unable to get anything done while Kirito saves the day. But that is already being generous. You would think that a show about MMOs would do some world-building by introducing a greater number of characters and portraying their relationships, but nope. Only a few other characters are meaningful to the plot. Kirito himself hogs much of the screentime, though it isn't nearly as ridiculous as in season one.

Visuals: 8
Again, this must be where they spent the cash. The visuals look great. GGO in particular has very nice backgrounds, ranging from massive steampunk cities to postapocalyptic ruins and wastelands. ALO may feel like a repetition of season one, but the execution is good nonetheless. The fanservice is probably less impressive, but what else is new? The second and third openings have pretty great visual design and the last ending likewise.

Sound: 7
Gets the job done pretty well. The voice acting, opening and ending songs, and the soundtrack are all good enough.

Enjoyment: 4
The slower pacing somewhat hurts the possible "so bad it's good" effect compared to last season. If we're talking about legit enjoyment, Mother's Rosario takes the lead by far.

Overall: 4
Kirito continues his epic struggle to trivially beat everyone in his path, even if it doesn't take all season this time. It made some money though, so who am I to judge?

*Review contains minor spoilers of Sword Art:Online and Log Horizon too*


I have seen thousands of people who compare Log Horizon with Sword Art:Online and how much it is better from SAO and most of them people are from here only. Don't get me wrong as a gamer person myself, I like both series. My review covers up 2 anime of same genre!


Story- Overall, the Plot is totally messed up all the 5 arcs (SAO,ELF,GGO,Excalibur,Mother's Rosario), even though the very first SAO arc of the first season is still slightly better than the rest.To sum up this is the order SAO>Mother's Rosario>GGO>Excalibur>>>ELF. But, I don't ... see how Log Horizon is any better?

-The story development is just too slow to the point I find myself sleeping. At least SAO series have pump up action/fighting scenes and romance which is a + point for me. Yes, I agree Log Horizon has romance too, but it is still one sided. The main drawback of both these series is actually the story's atmosphere. In SAO first arc people can die, but players still carry out their daily events like rape, killing, fun, sleeping with no care,sex, marriage. On the other hand In Log horizon if players actually die, they can still respawn at the respawn point. But, Still way too serious on focusing Politics, Govt, rules and regulations 85% of the anime revolves around this. These kind of genres was needed in SAO and SAO in Log Horizon.

Characters- Here I can agree with Log Horizon's fans. SAO has poor characters and character development. The whole show revolves around our female attracter kirito as an OP MC even if new characters are introduced like Sinon in GGO. Kirito is still the main attraction (Yes, clearly the main attraction specially in GGO* )

-Where as in Log Horizon has better and lovable characters and personalities but, then again I think it just has way too many characters. Just see the opening of the Log Horizon how many characters it has. I had a hard time ing all of them. Every episode at least introduce 2 new characters though not all are given enough development, and some are soon forgotten but, at least this series has 3 main characters that is Shiroe, Akatsuki, Naotsugu unlike SAO where every season old characters are treated like background wallpapers except kirito. I am gonna give a brief review on both the MCs of these shows.

Kirito- Yes he is OP to the point he can overwrite codes of the games, just with willpower, female attracter ( Agree with this because for real if you save a female twice, she will have some sort of feels for you), but all they back off when they realize kirito is in relationship with asuna. So, NO ITS NOT HAREM! You will also see huge improvement from Season 1 to Season 2. Kirito's OP moments are toned down a lot, he defeated death gun with the help of sinon and Kirito is not even the main character in the mother's rosario arc. Asuna gets major development and it was really emotional . You gotta give credit, where you see improvement!

Shiroe- He is OP too but not as OVER OP as kirito. When it comes to flawless strategies shiroe beats kirito, but if it comes to power and skills kirito> Shiroe. Shiroe is a mage class unlike Kirito's melee class, But you will hardly see Shiroe in a battle. Most of the time, It will be side characters who fights in the battle. All Shiroe does in the battle is act as a narrator give battle's explanation, even in those battles where shiroe's contribution is null to the battle plan. As for female attractor Shiroe is quite a charm himself. Akatuski likes him and there's one more girl who likes him. So, Currently there is a love triangle going-on and one more girl who wants Shiroe on her side.

Art- SAO beats Log horizon here, because of beautiful colors used in animation and actually you can see improvements of the animation from season 1- season 2, where as Log Horizon remains the same. You will see no improvement!

Sound- Again SAO takes the thrown why? Log horizon opening song is sure is damn good, but from episode 1-25 it uses same opening song, and just to make the listeners get fed up of the song even more. Creators uses same opening song for the season 2 ANOTHER 25 EPISODES SAME OPENING AGAIN where as SAO Opening songs changes every arc. Now, if we compare the ending songs SAO takes the cake easily. ED2 of SAO II is so far the best ending song in the whole SAO series.


Enjoyment- SAO has a replay value for some, where as Log Horizon none because there's hardly any impressive fight scenes all there is politics, how to make govt. etc. The season 2 of Log horizon is really disappointing compare to S1. Here, I guess fans can agree at least SAOII>Log Horizon II


P.S- I know my review might make many s flipping middle finger to the monitor and be like (F*** this guy). But, hey this is just what I feel and it is my personal opinion!

When Sword Art Online II appears, a beam of light peep out in my mind and hope that the sequel able to cover all its mistakes.

But again, my hope was shattered into a dust

Based off the light novel written by Reki Kawahara, Sword Art Online II is a sequel of Sword Art Online. The series started after the Alfheim Online's Arc, in a new game called Gun Gale Online, where a string of deaths begins occurring in the game. Our main character, Kirigaya Kazuto is assigned to enter Gun Gale Online to investigate the cause of the deaths.

The story is divided into 3 arcs: ... Gun Gale Online (or Phantom Bullet), Calibur, and Mother's Rosario.

The story adapts the same conflict of the previous series (the point of murdered inside a game), but in a different way. The story offers us a great action and fierce battle scene. At the Gun Gale Online arc, the story has a decent orientation and still manage to bring the main idea of the story itself. But after the GGO arc, I found out that Sword Art Online once again failed to live up to my expectation. After the GGO arc, there is a dull arc (Calibur Arc) where the fillers leak out from all directions. Into the last arc, Mother's Rosario is an arc that transforms this into a drama series in a bad way. They force up a few episodes into tears while forgetting the main story itself, and causes a heavy damage to the ending itself. Again, SAO is failed to revive itself.

Let's forget the story section and move to the animation section. The animation is done by A-1 Picture, they bring a wonderful and attractive animation which became the main reason to watch this anime. And became the diamond itself within the series.

As for the sound section, the seiyuu did fairly well when bringing such character to the screen. The 1st opening theme "Ignite" sung by Eir Aoi really describe the GGO arc very well, the other soundtracks are decent.

Again, Sword Art Online II does the same poor development on the character section. Our new female lead, Sinon is the only character that having an interesting and meaningful development. While our male lead, Kirigaya Kazuto is far behind our new female lead, same as our old female lead, Yuuki Asuna. The Kirito's harem and his friend are same too. Other characters besides Sinon are not having a single development at all. Also, the main antagonist of the GGO arc had a relatively weak motive.

I found Sword Art Online II shine brightly in my enjoyment at the Gun Gale Online arc. After that, SAO doesn't have anything in its storage, just a dull and fair entertainment in our glance. It is fairly recommended to the big fans of the SAO series. Overall, I think SAO once again fell into the darkness.....

Ok. So there's a lot of reviews for this out there so mine's going to be a little different. Bear with me guys. Bear. With. Me.

One. Two. Three Four Five
Everybody grab a gun and c'mon lets ride...

Yep. That Mambo N.5 appropriation pretty much sums up the first arc of SAO II. The only problem is the people driving seem to even more geographically challenged than me, and as the anime's seemingly directionless take becomes apparent you'll find yourself yelling 'For fuck sake use a GPS'. Yep. This anime has trouble navigating itself.

But smash on the beaks and hop on out. Lets step back, shall we, ... and look at the bigger picture. Coming as a sequel to the original SAO I'd pull the words 'hype' and 'expectations' from my metaphorical hat. Whilst both were there the hype seemed to remain for far longer than my expectations - which were quickly smashed into the ground. Ouch!

The sequel seemed to serve to accentuate the flaws of the original and downplay any strengths it had. Plot inconsistencies rose to new heights as what was seemingly at stake trudged lower than ever. Fanservice made an appearance at awkward moments and some of the motives behind peoples actions made as much sense as a giraffe eating a dinosaur. What? You say. What indeed.

But hey, it's not all bad! Open those eyes and ears! The animation and sound were done well, and whilst I wasn't fond of characterisation and development early it did get a little better towards the end. SAO II is also a little special in that it has a unique charm to it, where you know it's bad but somewhat enjoy it anyway. That being said I did find myself getting bored at moments and looking at the ceiling (oh how plain white ceilings entertain me).

We don't want to be here forever, so lets sum up! This anime is a polariser. It has a lot of flaws and a couple of strengths. You might like it, you might not. The problems that exist in this anime are very in your face (similar to a non-scary ghost popping out in a haunted house). You can't miss it. The question is, how much does it bother you?

It broke my 10 pairs of rose-tinted glasses in the first few episodes. How many pairs do you have?

[spoilers] I really don't believe that Sword Art Online 2 deserves the 3-4/10 scores it has been receiving as it is largely a big improvement over the mess that was the ALO arc of Sword Art Online 1.

GGO - this new arc brings an interesting new VRMMO world and setting along with new main character, Sinon who has an interesting background and has some decent character development throughout the arc until she manages to overcome her fears in the real world. There are definitely some pacing issues as there is an episode where there is only talking in a cave which offers some good ... dialogue but may feel slow. The fight scenes are of course well animated, especially Kiritos photon sword effects.

Calibur Arc - It doesn't offer much relevance to the main story and was originally a side story in the SAO light novels but it does offer some interesting story for the side characters like Klein.

Mother's Rosario - This arc is supposed to be one of the best arcs in the light novels and I believe it was handled quite well. Although it is a bit short there is definitely time to care about Yuuki. The fight scenes between Asuna and Yuuki were animated very well. It also offers some interesting development for Asuna as she tries to become strong in the real world by standing up to her mom and allowing her to see things from her perspective.

Sound: Both Ignite and Courage are great opening themes and Shirushi (ED3) is amazing. The soundtrack is well done again but does use a lot of SAO 1 tracks.

Animation: Good animation as usual. Fight scenes are handled well

*may contain spoilers ; yeah I've read the novel, but this is about the anime adaptation*

Oh God... I don't know how to begin. I did enjoy SAO 2, but once again I can't rate it with numbers. I have to write down my feeling, since that's the only way for a writer to make himself understood :)

So in 2012 this anime called Sword Art Online appeared. If you are interested in my opinion about it, please read my review, I won't spend any time to repeat what I've said there. But in 2014 we got the sequel. It was announced, that it will be about ... a new game called Gun Gale Online, a game where guns are the common weapons. I was surprised, that everyone was so upset about this. Okay, it's strange that in an anime called Sword Art Online people will use guns, but apart from that I've had no problem with it. Well the sequel finished airing, I watched it and... well let's just begin with the story.

Our story begins one year after Kirito escaped from SAO and saved Asuna from ALO. Kirito lives his happy, daily life, but one day he gets a call from a guy with a suit (sorry, that's all I about his character) who says there are some problems in the virtual world again. We are informed, that in a game called Gun Gale Online a strange figure appeared. He calls himself Death Gun and claims, that he can kill anyone with a shot within the game. Of course nobody believes him, but after two casualties, the guy with the suit informs Kirito. He asks him to get in there and investigate the case, and Kirito, as the superhero of the virtual world enters GGO. There, he meets Sinon, a female sniper and together with her he enters the competition called Bullet of Bullets (basically the same as a series of duels and the winner gets a prize), where he might be able to make with this Death Gun guy. Soon he realizes, that something is not right with the identity of this player, and Sinon's dark past comes back to haunt her too. Soon the question appears once again: What if virtual reality becomes your reality?

Well guys first things first, GGO is a lot better, than SAO! I mean seriously. SAO had a better story and better potential, but GGO was adapted really well. You won't feel anymore, that it's rushed. It takes it time and stays interesting at the same time. It still won't answer your serious questions and the big wave of psychology still didn't come, but you know what? I don't care! Because I got a really interesting and epic story. The mystery of Death Gun is really interesting, and you will do the same, you do while watching a good crime story. You will try to make theories about Death Gun. Well in the end the reality will be a bit more simple than I awaited, but that's not a problem. It's really fun watching all the fights, the chemistry between Kirito and Sinon and the process, how do they deal with their past.

Onto characters. Kirito is still awesome. He still acts like an invincible player though, which is not a really big problem, since this is not SAO anymore, but he could be a little more afraid of this Death Gun. But Sinon, OMG. She's a really good female lead, I can't believe her character was written by the same guy, who wrote Asuna. She is also really badass, but she also has her female charm. It's really fun watching, how Kirito always sures her, no matter how hard she is trying. And when her dark past comes forth, you can really feel for her. Long story short, the characters are a lot better in GGO.

GGO was great. I hate rating in numbers, but I would gladly give GGO a 9/10... oh wait a minute. I gave it a 6. Why?

Well they did it again. In the anime called SAO 2, but also known as Gun Gale Online, Gun Gale Online ends in episode 14. I don't get what's with this 14 episode rule. And as you would guess, YEAH, we are going back to ALfheim. But this time, two arc, 10 episodes.

First we get 3 episodes of Calibur. Why? Is there anyone, who read the novel and said: ''Calibur is my favorite!'' ? Calibur was the longest 3 episodes of my life. Seriously, it doesn't make any sense. They are just doing a minor quest in ALfheim, and literally NOTHING is at stake. Yeah, they want you to believe, that the system can rewrite itself and hell can appear in that game, but anyone who has ever played an MMO knows, that it does not work like that. The only positive about Calibur is a cute moment between Kirito and Sinon near the end.

Then Mother's Rosario, the remaining 7 episodes. Well MR is a side story of SAO. It's about Asuna, who meets a girl called Yuuki, who for some reason really wants to defeat a boss in ALfheim. (yeah I know it's not ALfheim) But later Asuna finds out, that Yuuki has some really serious problems in her real life. Mother's Rosario is once again about the concept, that virtual reality becomes reality for someone. But that won't change the fact that it's a side story. It's a big longer than it should be, and while it's interesting in the beginning, it gets really boring later on. And when you reach the sad conclusion, you won't even care anymore. Asuna still doesn't have any character and while Yuuki is an interesting person, her story is way too simple.
Here's what I think. After the end of GGO they should have either end the season or begin Alicization ark. Mother's Rosario should have been a movie, since it's just a side story. (Calibur? who cares about that?)

Once again I have to mention the art and the sound. The voice actors/actresses made an amazing job, the music is still fantastic. But this time the art and animation are on top! GGO just looks amazing, seriously even more beautiful, than SAO. The cyberpunk, post-apocalyptic backgrounds are orgasmic. And when Kirito starts to dodge the bullets... I thought I'll cu... cucumber? Long story short, it's awesome! The artist really did give their everything. I'm not even talking about Kajiura Yuki anymore, this is like her second nature.

So what is the verdict?
The first 14 episodes are really good in my opinion. They are epic, interesting, well-adapted and probably they did everything right, what SAO did not. But the second half f***s up the whole thing again. Calibur is boring and uninterestig, and while Mother's Rosario is a decent story itself, the way it was apadted is really mediocore. I can't even believe, the last 10 episodes were made by the same studio.

Do I recommend it?
Yeah I do, but I can't say, that I enjoyed every bit of it this time. It was a real pain in the *ss to finish the last 10 episodes. Anyway, GGO is really good, and if you are a fan of cyberpunk or FPS games, it will be twice as much fun to watch it.

(Thank you for reading this, sorry for my English and for all the comas I will never learn to use them properly :) )

After leaving out my spiced scavenged toad meat and deus ex machina milk for Santa, I knew that it was inevitably time. Time to unwrap the present that I never wanted to unwrap, the wool socks that awaited under the Christmas tree. Sword Art Online II. So boys and girls, I'm wearing my Grinch costume, and I'm ready to delve into the mess that is SAO season 2.

When I think of the controversial title, "Sword Art Online", the word that often times pops up into my head is "potential". It's like when you write a gift on your gift list for Santa that you ... know could be really good because everyone said it would be, or really bad because somebody hated it. But with the Christmas spirit in me, I had hope. After all, Sword Art Online has always captured the interest of many with its bold attempt to tackle the Virtual Game genre, mixed with an artistic flair that was captivating and epic soundtrack. But I must have been naughty, because Santa checked his list and he checked it twice. And what I got in SAO II was nothing more than a big heaping lump of coal. My Christmas was ruined! Almost, at least. I was disappointed, and I was frustrated. The Phantom Bullet arc, the Excaliber arc and the Mother's Rosario arc all stained my mind. So I had to take time to digest some of it along with my eggnog.

The gift wrapping on Sword Art Online II was really pretty. I mean it was beautiful, perfectly in match with Christmas and with a gold ribbon surrounding its corners with a bow on top. On the outside, it looked pretty good so far! Just like the first season, Sword Art Online II went with a more dark theme in the Phantom Bullet arc where once again lives are in danger from a dangerous criminal and it's up to Kirito to save them again. Wait a minute, hold on. Let me look at that wrapping from season I again. I quickly pulled out my phone and looked at the wrapping for Season I, ah yes it was great as well, the whole trapped in a game, traumatising experience wrapping. But then, as I looked back at the second season it struck me. I hadn't seen it since I was a bit far away but, that wrapping had cow poop smeared all over it. Kirito's just a teenage boy, why does he have to investigate these crimes? I thought he was supposed to be traumatised, so why does he accept? Is Kirito insane in the membrane? Santa did me dirty on this one. What I thought would be a great present was just turned into disappointment and Christmas fluff.

But I was still optimistic. Maybe Santa just happened to stop in a barn recently and the stuff got on it by accident. Maybe there was a chance that the insides were still great! So I eagerly opened it up to see what was on the inside. Oh boy, what a surprise I was in for. The insides were half good, but because the other half was so bad, it just made everything else look bad. The fighting and animation of SAO was still top notch, as well as the soundtrack, meaning that the action was still action packed and thrilling. But for the plot, Santa had a sinister plan for me. For what seemed like a serious concept, SAO II's plot was filled with too many random moments that just destroyed anything serious about it. Kirito's interactions with Sinon were flirty and inappropriate. He even wore a female character model. Yes, just like SAO's plot, Kirito was dressed up to be way better than he actually was. What doomed Sword Art Online's first season was it's constant mucking around with female characters even though there was an established couple. It was much of the same in Sword Art Online II. Any compelling aspects of the murder mystery were turned into nonsensical goo as Kirito and Sinon drifted off to lala-land constantly under Asuna's nose. Thanks Santa, you big jerk.

You know when you get something that you didn't want for Christmas, and it's not even something good. It's something horrible. It's like getting a bag of only black liquorice jellybeans, it's dreadful and only takes away from your fantastic Christmas experience. That is what romance in Sword Art Online II was like. SAO tried to put in a few extra aspects to their present that were just not needed and horrendous. The first being the mindless "rom-com" aspects that I mentioned previously and now the actual romance. Santa must have had his thesaurus handy because this romance is... hold on I need a thesaurus myself. I'm running out of words to say bad and horrible. Ah yes, the romance is abhorrent and abominable (more than the snowman). Asuna and Kirito are pretty bad as a couple in the first place (there's nothing remotely interesting about them, especially since Asuna was reduced to a pile of weak generic female goo in season 1). But when Kirito is constantly fiddling around with other girls, it makes the whole thing laughable. SAO II is like a testosterone filled adolescent who can't help but ogle at the new girl on the street. Kirito must interact with every girl, yes. Kirito must show loyalty to Asuna only when the viewer is on the verge of giving up, yes. Maybe Santa wanted me to laugh myself to death on Christmas, because this is just too laughable. It just makes me feel the same as the moral system of Sword Art Online, hollow.

As if there was a cherry on top of my gift, Santa left me one last blasted and godforsaken aspect to my gift. Kirito's character. Ah yes. I think I'm going to have to add some stronger stuff to my eggnog to get through this. Kirito is a strong character I get it. But this is ridiculous. He's invincible. Kirito might as well show up in the Bible as Jesus because I wouldn't be surprised if they were supposed to be the same person. Flashback to Kirito exploding into digitalised pieces and coming back together inexplicably in season 1. That feeling of Deus Ex Machina was not lost in Season 2. You'll know it when you get there but it's just pathetic. You can't develop a character that just wins every fight and dismantles people. It's the problem Mahouka fell to and now that SAO will fall to again. I'm sending a bomb to the North Pole for this one Santa, you're gonna regret giving me this for Christmas.

Looking back, SAO II was a pretty bad present. But I can see why people would enjoy getting something like this. I mean SAO II has so many different aspects to it that it probably has something for everyone. It's a jack of all trades. In those combined 49 episodes and two seasons, there's a lot of different aspects to SAO. It could have chosen to be much less in a thematic stance, which may have made it much more in a content stance. And I'll give the creators credit where credit is due, most of this content is simply adapted from the light novels, so I guess that's where the root of the problem is. They've done a good job of adapting it. But Santa promised me a gift of a good series, and that is not what I got. The Mother's Rosario arc, yes it was alright. It was definitely a step in the right direction. But it was... too little too late from Santa because my Christmas was already long tainted. Sword Art Online II to its credit stays consistent in its overachieving attitude that falls short. But yeah, that's what SAO is at the end of the day. Not serious when it should be, disted and a bit sloppy. A jack of all trades, and most certainly a master of none. Merry Christmas to me.

But hey, as Christmas closes out, I'm sure we all have a lot to be thankful for. So whether Christmas is already over for you or you're waiting it out, enjoy the rest of your 2014 and beyond, MAL.

"So Kindle crept around in his lonely room,
Surrounded by the feelings of his holiday gloom,
Sword Art Online II lingered in his mind,
It wasn't very nice, it wasn't very kind

Filled with potential to be a great show,
Where it all went wrong he may never know,
But for Kindle he had plenty of reasons to be happy,
He we wouldn't let SAO make his mood crappy

So he promised to be better
And he mailed a nice letter
Addressed to Santa, the man behind the mess
With a message he so dearly needed to confess.

'Santa I know I can improve next year
So I'll work hard instead of being in fear
I just hope that I'll be deserving of more
More than this Sword Art Online bore'"

SAO has probably brought this community closer together, whether it be to hate it or to love it. For that, I thank it. Happy Holidays guys.

"Welcome, Christmas, bring your cheer. Cheer to all Whos far and near. Christmas Day is in our grasp, so long as we have hands to clasp. Christmas Day will always be just as long as we have we. Welcome Christmas while we stand, heart to heart, and hand in hand." - The Grinch

Note: I tried to leave the text with the smallest possible revelations of the work, but it was not possible to leave it totally insect to maintain a good understanding and good justifications. The revelations presented are small and should not greatly jeopardize those who have not yet witnessed, but are warned.

Although there are many negative criticisms about this work, overall, this anime deserves a perfect score of ten out of ten. However, when divided by arcs, the evaluations vary somewhat. The first arc, "Phantom Bullet," spans from episode 1 to 14; the second arc, "Calibur," covers episodes 15 to 17; and the third ... arc, "Mother's Rosario," spans from episode 18 to 24. The first arc is worth between eight and nine, the second between five and six, and the third arc is so extraordinary that it deserves a score of a thousand.

Story - 10/10
Regarding the plot, I will focus specifically on the final arc, "Mother's Rosario," as it is the best of all. This arc alone carries the season and justifies watching all the others, even if they were terrible, which they are not.

The most valued aspect of a plot is its content; the richer and more varied it is, the higher the score the work deserves. In Sword Art Online II, in the "Mother's Rosario" arc, a wide range of themes is explored in a harmonious and non-contradictory manner, encoming deep moral, social, and philosophical reflections. These themes are conveyed in diverse and skillful ways, further enriching the narrative.

1. Diseases: The series addresses mobility-restricting and incurable diseases in a poignant, sensitive, and realistic manner, which is extremely relevant. Each member of Yuuki's group faces terminal illnesses, providing deep reflections on life, mortality, and ways to cope with these conditions. Yuuki, in particular, is depicted as having a severe form of acquired immunodeficiency syndrome (AIDS) that is resistant to medication, adding complexity and empathy to the narrative.

2. Generational Conflict: The clash between Asuna and her mother exemplifies the challenges exacerbated by rapid technological advancement. This is explored through the older generation's misunderstanding of the new reality brought about by technology, confronting established standards and values.

3. Meaning of Life: A widely discussed philosophical theme since ancient times by the Stoics, but always relevant. In Sword Art Online II, we find an unusual perspective on the meaning of existence, especially in Yuuki's final moments. The series presents finding meaning in life through fulfilling moments, even in an existence marked by extreme suffering and despair. The central message is one of encouragement, perseverance, and hope, showing that simply being alive can be a source of happiness.

4. Diverse Realities and Virtual Worlds: The use of technology to create virtual worlds and diverse realities is a central theme. Asuna introduces Yuuki to a new reality of connections and interactions with the real world through the portable cameras she uses, providing moments of happiness and socialization that Yuuki would not otherwise experience. This prompts reflections on the role of technology in the lives of people with physical limitations. Additionally, the anime portrays the possibility for sick individuals to make the virtual world their reality, offering them an alternative way to live fully despite physical restrictions.

5. Reality vs. Virtuality: The series questions the definition of reality, suggesting that for some people, the virtual world can be as real or even more real than the physical world. This provokes deep reflection on how different individuals perceive and experience reality.

6. Artificial Intelligence: The interaction between humans and artificial intelligence is explored in depth, especially through Yui. This raises questions about what defines life and consciousness. Yui is not just seen as a computer program but as an entity with genuine feelings and emotional connections to the protagonists. Since the first arc of the first season, the anime treats Yui as a family member, a daughter of the protagonist couple. In the Mother's Rosario arc, this theme gains even more depth through the character's interaction with the anime's real world.

7. Terminal Patient Treatment: The anime addresses the treatment of terminal patients, showing that even those disillusioned, such as Si-eun, who battled cancer (acute lymphocytic leukemia) for three years, can achieve recovery. By exploring this possibility, the anime not only justifies the costs of medical treatment for people in this stage but also offers motivation and hope to those facing similar situations.

8. Legacy and Memories: The pursuit of leaving a mark, doing something memorable to ensure that one is not forgotten by someone. This aspiration to leave a legacy is a way to remain alive in some manner after death. In the anime, this pursuit is not only exposed but is highlighted through the perspective of those who know they have little time, dramatizing and deepening the importance of a legacy. Furthermore, the work shows that achieving this requires clear goals and a lot of determination, even in critical situations.

9. Death and Solitude: Yuuki, as the central character of this arc, represents loneliness and the struggle against an incurable disease that generated much prejudice against her. Her personal story is an emotional testament to resilience, where she clings to life even after losing her entire family to the same disease, leaving her even more alone. Despite this, Yuuki finds comfort and strength in the love of her virtual friends, making her feel less lonely. When death becomes imminent, her companions refuse to leave her, highlighting how emotional bonds can be meaningful even in the face of insurmountable challenges. According to one of the three principles for the pursuit of happiness advocated by the philosopher Epicurus, "just as in a garden, friendship is as useful as the production of food and as beautiful and enjoyable as the cultivation of flowers."

Art - 10/10
Even among those who criticize the work harshly, it's hard to find someone who speaks ill of Sword Art Online II's art. Discussing the visual quality of this series is almost unnecessary, as it is widely recognized as exceptional.

Sword Art Online II presents some of the best character designs in the genre, with remarkable richness of detail and consistency. The backgrounds are a visual spectacle, filled with vibrant colors, carefully crafted lighting, and visual innovations. The anime's fluidity is of the highest quality, with iconic scenes that serve as reference points for many other anime, especially those involving weapons and gunfire.

If there's one thing Sword Art Online II gets right on the mark, it's the action, largely thanks to the quality of the visuals. The action scenes are executed with almost impeccable fluidity, detailed graphics, and impressive choreography. They are so beautifully crafted that they need no embellishment techniques. All of this is finely tuned to the narrative's pace, bringing action at the most opportune moments of the story. The final arc, in particular, features the best action scenes of the entire series, which thrill, excite, and increase adrenaline.

Sound - 10/10
The soundtrack of Sword Art Online II is one of the series' strongest points, perfectly complementing the emotions and atmosphere of each scene. In this second season, the quality of the soundtrack not only maintained the level and style of the first season but also introduced significant improvements. The music, including the memorable "Luminous Sword," not only enhances immersion but also evokes deep emotional responses in viewers in a way that is hard not to be captivated by.

Characters - 10/10
This is often a controversial point, often due to misunderstanding and defamation. First and foremost, it's important to clarify that there are various types of characters: protagonists, antagonists, ing characters, and extras. It's unfair to demand the same level of development from all characters for a story to be well-told, as some critics unjustly demand from this work.

The protagonists have their stories and family ties revealed. They evolve, interact with each other, and generate strong emotional attachment from the audience, which is essential for defining a good character. Furthermore, all characters who receive narrative focus in the anime are richly developed. Their motivations, concerns, and aspirations are convincingly portrayed.

It's crucial to understand that not all characters are protagonists all the time. For example, Kirito, in a brilliant plot twist, takes on a ing role in the final arc. It's important to recognize narrative focus and accept that ing characters should not be treated as protagonists.

Sword Art Online presents an innovative approach to arcs, where even the anime genre can change from one arc to another, fully justifying the introduction of new characters and elements. Characters from previous arcs, especially from the previous season, do not necessarily need to be developed in this season, as each has its purpose, place, and time within the franchise's plot. As for new secondary characters, especially Yuuki's team , they are extremely charismatic.

Enjoyment - 10/10
Sword Art Online II is extremely thrilling, something rarely achieved even by acclaimed Hollywood films, which makes this feat even more challenging in anime. Maintaining all the qualities mentioned in the previous topics and effectively conveying emotion is not a simple task. Producing emotion goes beyond content, music, or imagery; it's about placing everything in the right moment and context, and this anime does so splendidly, thanks to its excellent direction.

Even the most critical viewers are likely to be moved by the memorial scene, but it's even harder not to be touched by Yuuki's death. The difference here is that unlike other anime whose dramas evoke only sadness and tears, Sword Art Online II brings a comforting sense of gratitude and hope, which aligns perfectly with the central message of the plot.

Conclusion - 10/10
The way the story is told is truly innovative, standing out for its pace and clarity in communication. The dialogues are well-balanced: they are neither monotonous, nor vulgar, nor confusing, nor excessively expositional; they tie up loose ends without being conflicting, shallow, pretentious, or overly simplistic. In this aspect, everything is executed with precision, with action pauses at just the right moments and drama entering skillfully dosed.

In every arc of this anime, there is a certain dose of suspense present, especially in the final one, which revolves around the mysteries involving Yuuki and her group. This aspect is meticulously worked upon, provoking the viewer to think, providing clues without giving everything away immediately. The only caveat is that the final arc could have been longer to explore these mysteries in a more intriguing manner.

I conclude without exaggeration, without adding anything, just faithfully reporting that while watching, I was genuinely impressed to the point of literally standing up and applauding for a long period. I stopped crying only to smile with gratitude for witnessing something so significant and fulfilling. During the "Mother's Rosario" arc, I cried like I had never cried while watching anything. Therefore, nothing is more just and deserved than this rating.

So why is Sword Art Online poorly regarded and doesn't have a splendid score on MAL?

1. It falls victim to deep-seated prejudices, exacerbated by the Fairy Dance arc in the first season. These criticisms often come from male teenagers, who dominate the site. Unfortunately, once marked in this way, many people do not open themselves to honestly evaluate or appreciate the second season. Additionally, the Phantom Bullet arc of this second season gave Kirito a more effeminate appearance, which also didn't help dispel prejudices.

2. A defamation campaign, promoted by hostile individuals through anime-specific websites, YouTube influencers, and spread by word of mouth, has significantly contributed to the anime's poor reputation. Criticizing Sword Art Online seems to have become a kind of pseudo-cult hobby, a trend where speaking positively about the anime may even be considered against common sense, resulting in attacks and censorship.