Chuunibyou demo Koi ga Shitai!

Everybody has had that stage in their life where they have thought themselves to be special, different from the masses of ordinary humans. They might go as far as seeing themselves capable of wielding mystical powers, or maybe even believe themselves to have descended from a fantasy realm. This "disease" is known as "chuunibyou" and is often the source of some of the most embarrassing moments of a person's life.

For Yuuta Togashi, the scars that his chuunibyou has left behind are still fresh. Having posed as the "Dark Flame Master" during his middle school years, he looks back at those times with extreme embarrassment, so much so that he decides to attend a high school far away where nobody will recognize him. Putting his dark history behind him, he longs to live a normal high school life.

Unfortunately, he hasn't escaped his past yet: enter Rikka Takanashi, Yuuta's new classmate and self-declared vessel of the "Wicked Eye." As this eccentric young girl crashes into Yuuta's life, his dream of an ordinary, chuunibyou-free life quickly crumbles away. In this hilarious and heartwarming story of a boy who just wants to leave his embarrassing memories behind, the delusions of old are far from a thing of the past.

[Written by MAL Rewrite]

Takanashi, Rikka Main

Uchida, Maaya Japanese

Dekomori, Sanae Main

Uesaka, Sumire Japanese

Togashi, Yuuta Main

Fukuyama, Jun Japanese

Nibutani, Shinka Main

Akasaki, Chinatsu Japanese

Tsuyuri, Kumin Main

Asakura, Azumi Japanese

Takanashi, Touka ing

Sendai, Eri Japanese

Isshiki, Makoto ing

Hoshi, Souichirou Japanese

Togashi, Kuzuha ing

Fukuhara, Kaori Japanese

Togashi, Yumeha ing

Shitara, Mami Japanese

Kannagi, Kazari ing

Shirakawa, Manami Japanese

Nakamura, Shinichi Producer

Saitou, Shigeru Producer

Ishihara, Tatsuya Director, Storyboard

Tsuruoka, Youta Sound Director

Reviews

Dec 28, 2012

Veronin

Recommended

Growing up is not an easy process, and there are always moments that one looks back upon with a sense of embarrassment and regret. One might ask what it is that truly marks the transition into adulthood: the ability to live independently, or maybe the conformity and adherence to social norms. Are the people who remain true to their childhood interests not grown up, then? Perhaps. But is there anything wrong with that? It's hard to say.

There's a strange term used in Japanese internet culture. "Chuunibyou", or more literally "Eighth-Grade Syndrome", refers to matured individuals with an absurd self-created persona. the times as ... a child when there was a TV character you found appealing and you pretended to possess their superhuman abilities in real-life? A chuunibyou is a teenage or adult form of that, but to such an extent that the fictional persona defines their entire lifestyle. Certainly, behaving this way in public would make for some embarrassment, and recovering from such a past even more so.

Poor Yuuta.

It's an experience that he knows all too well. After suffering from chuunibyou throughout middle school as the "Dark Flame Master", he makes the decision to move on from the past and attempt to live his highschool years as a normal student. To ensure victory and start anew, Yuuta applies to a high school where none of his middle school classmates are attending. It may have been a successful plan, too, if not for the unusual appearance of a beautiful girl on his balcony.

Her name is Takanashi Rikka, a current chuunibyou, representing everything that Yuuta used to be and desired to forget. Worse, she recently moved into the same apartment complex and overheard Yuuta's last days as the Dark Flame Master, ensuring that it is not a past he will escape so easily. He unwillingly gained Rikka's interest in him as a result, and his attempts to make a pleasant first impression at his new high school are interrupted by Rikka's chuunibyou provocations. The fact that Yuuta wants to forget and start anew is irrelevant, because for her their relationship is a destiny revealed through her "Wicked Eye". Perhaps she wasn't entirely false, either, occult terminology aside.

Chuunibyou demo Koi ga Shitai, shortened to Chuu2-Byo, is a title that stands out for the interaction between these two characters. It's nostalgic (and often times embarrassing!) to see the characters act in silly ways reminiscent of childhood, though without the endearing cast of characters this would probably seem like little more than a neat gimmick. Yuuta and Rikka are what make the anime, and their interaction is nothing short of adorable and hilarious. Both of them have substance and play off of each other in creative ways, such as Yuuta using his abandoned Dark Flame Master persona in order to cheer Rikka up when she's feeling depressed, or her playing around in awe with his old gear. It's definitely cute, and cuteness is something that Chuu2-Byo has no shortage of.

An important addition to the character dynamic are the side characters who each fulfill their own role in the series. Sanae Dekomori, ace middle school student and proud chuunibyou, behaves as servant to Rikka and her Wicked Eye, possessing a weapon of considerable danger in the real world: her excessively long pigtails. Kumin, a senior with a fondness for napping, and Isshiki, Yuuta's jealous male friend and classmate, also highlight the cast. The most important of these characters, however, is Nibutani Shinka. Despite initially being the only character in the anime truly definable as 'normal', she is actually an ex-Chuunibyou herself, much like Yuuta. When her dreaded past is discovered by Yuuta, she throws away any notion of kindness in order to keep him from spilling the truth. As Rikka develops her own feelings for Yuuta, though, Nibutani begins to display a much more comionate and benevolent side to her personality, even going as far as to use her old persona to help them progress.

Appearances often mislead, and Chuu2-Byo is exemplary of this. What seems to be a cute slice of life revolving around the chuunibyou lifestyle is actually structured as a love story. Comedy is predominate during the first six episodes, but hints of Rikka's feelings for Yuuta are consistently displayed as the series progresses. Love is an emotion that she is not familiar with, and amidst the confusion there is often an overlap between her sensitive side and her chuunibyou side, often using this persona to hide her embarrassment. It's very endearing to watch her feelings develop as she realizes that these are emotions not of respect, but genuine love. The romance is exceptionally subtle, while consequently there is no overbearing drama used to advance their relationship.

At least for the first half.

There's often a problem with drama in anime, especially since it tends to hit the viewer with all the subtlety of a speeding subway. Titles like Toradora and AnoHana are a couple examples of drama on overdrive, and occasionally Chuu2-Byo can feel a bit like those titles in the last six episodes. Is there anything inherently wrong with excessive drama in an anime? Certainly not. After all, it depends on the execution itself and other aspects such as the characterization and dialogue. But what when the drama comes from nowhere, undermining the appeal of the series and turning it into something else entirely? This is where problems occur in Chuu2-Byo. What starts out as a lighthearted comedy with subtle romance becomes an exhaustive high school drama in the second half, and it really hurts the series as a result.

Why change it, then? It's a question that I might never find the answer to. It's not as though the anime was lacking in substance before that point, or that it needed to make a sudden switch to develop the characters and their relationship. Yuuta and Rikka were steadily progressing, and there were still the occasional dramatic moments that felt natural to the show. While there isn't so much an issue with the execution of the second half (exaggerated crying and yelling aside), it is a problem when the anime feels like two entirely different shows in one. It might have been less of an issue if aspects of the first half still subsisted, but the comedy is unfortunately tossed aside in favor of drama. Which is disappointing, as the lighthearted character interaction is what made the first half of the anime so special.

There are also some other minor complaints if one were to nitpick, such as Kumin being a pointless character and adding nothing besides a few cute scenes of her sleeping, or the contrivances of some of the dramatic situations (receiving a letter written years ago at the most convenient time — really?), but on the whole it doesn't do much to detract from what is an otherwise well-written and heartwarming experience.

On a more positive note, the lavish production values customary of KyoAni do a solid job of enhancing the emotional value of each scene. Character designs are appropriately cute while the animation has an extraordinary level of polish and finesse, particularly during the faux action sequences often illustrated whenever Rikka has a confrontation with another character. More commendable, though, is the storyboarding of some scenes. There are a few moments in the anime that are truly breathtaking, such as Yuuta and Rikka quietly sitting together under a bridge and watching the lights of society shine and flicker along the river.

A fundamental piece to any good love story is the presence of an emotional soundtrack, and Chuu2-Byo does not disappoint with its music. Fitting tracks are used for both the lighthearted and dramatic moments, and there is a particular piano piece that will manage to pull your heartstrings a bit whenever it is used. The opening and ending sequences are also quirky and memorable, and these songs will most likely be glued to your head for quite a while afterwards. With that said, it's always a little amusing during the second half of the series when the upbeat ending song plays immediately after a dramatic scene. It really represents the disparity of the two halves.

Chuu2-Byo is certainly not a miraculous or flawless anime by any means, but it is easily above the vast majority of anime out there (the romance genre especially). Perhaps the drama won't upset you nearly as much as it did with me, or it could possibly enhance the experience for you, even if changing the entire tone of an anime midway through will no doubt cause some concern.

But if I'm to be rewarded with a genuinely heartwarming story, six episodes of unadulterated fun, and one of the best romantic pairings in the past few years— is it worth a little bit of frustration? Probably.

Reviewer’s Rating: 7

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Dec 19, 2012

Yukariki

Mixed Feelings

Suppose you watch a work that seems to have a lot of effort put into it. It’s easy to tell the staff have worked their ass off to make this work look pretty. Gorgeous character designs and backgrounds. Hell, it’s possible to just watch the show for the art. Turn off the sounds and take off the subtitles from the screen. It’s fantastic animation. I expect nothing less from Kyoto Animation, which has given us Hyouka gifs on our Tumblr. To expect mediocrity in art direction is an insult to the of this talented studio.

Yet, prettiness is not always watchable. When the plot ... dives, frustration skyrockets. Chuunibyou demo Koi ga Shitai suffers from its poor writing. There are clichés on every step.

Take the premise of chuunibyous, which roughly translates into ‘eighth grade syndrome.’ This social phenomena is worth exploring despite the lack of attention to it. I’m glad the writers are giving this attention. Some may call this Kyoto Animation’s answer to “Welcome to the NHK”, a critique of hikikomori and depressive disorders. It can be good, albeit bitter, medicine for people still suffering from the syndrome.

However, Chu2koi finds delight in such escapism. Not that it’s a bad thing -- it saves this work from the need of being ultra-preachy. You can’t really create such a provocative work in just 12 episodes. KyoAni is a master of slice-of-life humor, as seen in the K-On! franchise. In the genre where girls drink tea and eat cake, add in crazy animations of teens pretending they’re superheroes and we get a comedic masterpiece. If this work stays that way, I wouldn’t feel the need to write this review.

Instead, KyoAni apparently wanted to preach... something.

This is where it gets messy. I have no idea who to blame, but the writing suddenly took a dramatic turn. KyoAni is trying desperately hard to combine Chu2koi’s unique humor and dramatic preaching. In the first half of the series, it’s humorous. The latter half shows grim, dark melodrama. Its main characters, Rikka and Yuuta, are introduced as a dynamic comedic pair; in the end, they whine at every moment possible. Melodramatic events surround the protagonists while the ing characters goof around.

Chu2koi is, in a word, bipolar.

Because of these senseless, abrupt changes in tone and mood, you don’t really understand where the work is going, let alone what it is about. When the work finally gives some closure, there is much to be questioned. It feels rushed; there are contradictions and glaring plot-holes in the final episodes. Bandaging those plot-holes with clichés just makes it worse. They’re an eyesore. You can separate the final episode into sections -- and in these sections pinpoint which scene of Chu2koi ripped off from which anime. ing characters, who did nothing in this work, suddenly become important. One character who did nothing for the first twelve episodes except being cute became an important character in the finale. Anime-original character Dekomori fares better because she is relevant to the plot. But because she is a comedic character, she unintentionally destroys atmospheres in dramatic episodes. The script is just plain chaotic.

And so the confusing million-dollar question: Does this work actually have something to say? It does end with a message, but it’s not convincing with all these mood whiplashes. I hear its sermon, but it’s gibberish. It seems to accept the chuunibyou culture as a facet of individualism; yet, once you take Rikka’s reason for the desperate escapism, it becomes nonsense. It’s hard to explain what this work is saying.

But it’s undeniable Chu2koi is a good work if we look at other technicalities. Animation and music are superb as always. Ignoring the plot, the characters are fun to watch. Their interactions make anyone envious of their lives. It’s a good slice-of-life comedy.

Which begs the question: why did this work not stay that way? The first half is strong; the second half is just unwatchable melodrama. It is despairing that Chu2koi has so much potential. Instead, it wanted to be something like Welcome to the NHK.

In a one-cour show, the themes have to be focused. To diverge off and be something else is absurd. Chuunibyou demo Koi ga Shitai tries too much to be something special, but falls off from the ladder; it’s just too emotionally unstable like an angsty teenager.

Reviewer’s Rating: 5

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Oct 16, 2016

VeiledEdge

Not Recommended

Informative

This anime is an extremely cute, perhaps too cute (in a good way), well-done slice of life anime about an eccentric cute girl told through the eyes of our protagonist [insert a stock slice of life protagonist here]. My involvements with the slice of life genre are Clannad, Anohana, Haruhi, Kimi no Na wa, and K-On! And, I can tell you with full certainty that this series is strictly worse than all of those. I know my experience in the genre skews my view on this series, but I'd have to call it below average. The main character Rikka is the only redeemable factor of ... the anime and she does an outstanding job at carrying the entire series on her shoulders, but there's only so much a single character can do. The plot is lackluster and every other character is as forgettable as the title. The visuals are amazing though. Watch one or two episodes and if you fall in love with Rikka as I did, keep watching it. Otherwise, go watch something better.

Reviewer’s Rating: 4

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