Ojiisan no Lamp

When a young boy named Tooichi stumbles upon an old lamp in his grandfather's shed, he mistakes it for a toy and takes it outside to play. When his grandfather discovers this, he reprimands the boy and begins recounting the story behind the artifact—of how a small, traditional Japanese town became Westernized.

In his youth, Tooichi's grandfather, Minosuke, made a living by doing errands and chores for the townspeople. After one errand takes him to a nearby town, he witnesses Western lamps—a technology unfamiliar to him—light up the streets, igniting a spark in the young boy. From that moment on, lamps became Minosuke's ion and profession, changing his and the townspeople's lives forever.

[Written by MAL Rewrite]

Minosuke Main

Kamiya, Hiroshi Japanese

Yorozuya no Baa-san ing

Tani, Ikuko Japanese

Lamp-ya no Shujin ing

Ogata, Mitsuru Japanese

Tooichi ing

Hirata, Mana Japanese

Setsu ing

Shimizu, Risa Japanese

Takiguchi, Teiichi Director

Kikuta, Hiromi Sound Director

Shiratori, Emiko Theme Song Composition, Theme Song Performance, Theme Song Lyrics

Haketa, Takefumi Music

Reviews

Jul 4, 2011

neonoen

Recommended

Due to the lack of free time which is supposed to be allotted for my daily serving of anime, I resorted to watching short anime films and such. Of course, I was hoping to find something as magnificent yet light as Tsumiki no Ie. Then I stumbled upon the 4 short anime shows that comprised the 2010 Young Animators' Training Project. As the name of the said endeavor implies, its an on-the-job-training project funded by the Japanese Animation Creators Association to train fresh aspiring animators. Although I found it not as touching, unique and outstanding as Tsumiki no Ie, this anime collection was still worth ... the watch as each story brought me back to those shows and stories I used to love when I was still a child.

Second of the four anime shorts from this great collection i've watched is Ojisan no Lamp, produced by Telecom Animation Film, the same guys who brought us Mujin Wakusei SURVIVE and the unique bacteria-comedy, Moyashimon. An old-timer, after seeing again his long-lost old floor lamp, tells his grandson a story about a certain lamp peddler who beginning from his childhood, through hard work and perseverance slowly built his business of assembling and selling oil lamps from the city to folks living in the countryside. Simply put, he was greatly inspired at the advancement of technology after seeing wonderful lights of oil lamps in the city when he was still a child and wanted the same for his village by the countryside. Also, he is bothered by having to bear with old technology (e.g. flint), despite the availability of new technology (e.g. matches) that undeniably makes things a lot easier. Although westernization and the advancement of technology in lamps became a reliable friend to him throughout the years, from his childhood until he became a family man, life seemed to have taken a sudden turn and he was thrown off as technology taught him a lesson he learned the hard way.

STORY: 9

This story in particular really makes me wish I still had my grandparents around to tell me such amazing stories taken from their real life experiences. The show totally has great storytelling, the plot and storyline was consistent, despite the timeskips, albeit brief, and the emotions were well portrayed through the characters giving it perfect points for being a touching show in the drama genre. The story's message was also clear and delivered very well and being set in historical Japan, the evident elements of history were pretty accurate also giving the viewers a good show of Japan's cultural history.

ART/ANIMATION: 9

Among the four anime, this show, to me, has the best artwork. Although the backgrounds were quite simple and drawn with just enough detail, the portrayal of the countryside, the city, nature and other sceneries were good and the animation and amount of lighting used on scenes perfectly fits, improves and sets the right mood on each, particularly on the most climactic parts. Character movement was also pretty smooth and particularly, I love how the characters were drawn in this one.

MUSIC: 9

Like what I've mentioned earlier, the music for this anime is certainly spot on, suiting, even improving every scene it plays along to, especially the dramatic ones. Whether it be planting on rice fields, a cultural festival, plodding along a natural road on a summer day, losing heart on disappointments or feelings of desperation, the music certainly gives a perfect feel of the moment. Also, the OP and ED theme that plays along with the story itself are something you can't just ignore.

ENJOYMENT: 9

This one, in my opinion, is definitely the best among the four anime shows in the 2010 YATP. Perfectly lighthearted, yet the ensuing drama is totally spot on. Consistent storyline, Great art and animation, Soothing and absolutely dramatic music, heck, I daresay, it's like watching a Ghibli movie!

Reviewer’s Rating: 9

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May 22, 2012

kekekeKaj

Mixed Feelings

Times are constantly changing; old technologies are continuously being replaced by new. Sometimes though, it's not easy to let go of something outdated, especially if it has played a central part in one's life. In essence, this is what happens in "Grandfather's Lamp", when an aged protagonist Minosuke tells his grandson about the role lamps played in his life.

Being one of the 2010 Young Animators' Training Project, the artwork has a simplistic beauty about it and seems to have been done with great care. The shading of the eyes is a little weird - they have these dull colourings that are often used in other ... anime to indicate a lack of consciousness or control. The background music is also very good, gently ing the quieter moments and weighing in and enhancing the key ones. Judging technical aspects of an anime really isn't my forte though, so I'm gonna quickly move onto the other stuff. :P

The first part of "Grandfather's Lamp" is about how Minosuke, as a boy, came across lamps being sold at a shop in a time when such things are a rarity in Japan. Fascinated by this new technology, Minosuke decided to start selling them in his village, eventually growing up and expanding his enterprises into the city. For a long time, life was great; his business thrived and he started a family with his childhood crush. So far so good. This part of "Grandfather's Lamp" is mostly calm and peaceful, a part that highlights Minosuke's delightful enthusiasm for the lamp, and how it was the foundation to all that was good in his life.

The second part of the tale shows Minosuke's lamp business becoming obsolete; electric lighting started to appear as Japan continued to modernise. Even though Minosuke embraced the technology that was the lamp, he was reluctant to show the same attitude towards electric lights, and did not want to abandon the lamp business his life was built upon. On paper, this had superb potential. It could have been a great story about Japan's modernisation and Minosuke clinging on to the past. Instead, "Grandfather's Lamp" fell on its face in this second part, as it went for impact and drama with a subject that should have been treated slowly and with subtlety. After all, it's not like the adoption of new technology happens over night, and the point where it was treated as such, when Minosuke somehow only discovered electric lights when he was surrounded by them, is the point where the story started to fall apart.

It gets worse. Minosuke's resentment eventually drives him to ridiculous actions that were made more ridiculous by the "Higurashi"-esq dramatisation, and his eventual enlightenment was delivered with all the finesse of an elephant burglar. It seems almost surreal when compared with the quiet, slice of life nature of the first half. Towards the end, as Minosuke finally came to with the inevitable and went about preparing for it, there was one breathtaking moment when the gorgeous visuals combined with the swelling music to form a beautiful, poetic scene, but even that was quickly marred by more silliness.

In the end, with its vast potential and solid technical aspects, "Grandfather's Lamp" turned out to be only decent. With better screen writing and direction, it could have been so much more. It just feels like the effort that's obviously been put into the animation is lacking elsewhere.

Reviewer’s Rating: 6

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Jun 3, 2019

Zeemod155

Not Recommended

This is very cheesy and mellow-dramatic. People have been dealing with new tech out-dating old tech for centuries it's not something that's particularly unique to electricity or oil. Not to say there's nothing particularly interesting about the history of electric technology itself but based on the dramatic implications that this short film's narrative, which it definitely does not earn implies, it's very bare-bones surface-level take is supposed to suffice.

As a result of the shallow narrative that doesn't get explored any more than some broad strokes emotional levels (of which we have about 10 minutes of screen time to soak in) the story feels woefully ... underwhelming.

It doesn't feel particularly like movie about love, ancestry, devotion, the age of time, the real, the supernatural, anything really. Rather it feels like an outline that could have one day been turned into something more cohesive. Even when I've seen these ideas explored better in movies with x4 times the budget, length, and aesthetic sense it still takes quite a lot for me to meaningfully distinguish them in my mind.

Will probably forget about this one after a few days.

Reviewer’s Rating: 4

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