Top wo Nerae 2! Diebuster

Generations have ed since the war with the Space Monsters started, and none remain who know how it began, with even records of those times being scarce. It is a lost cause, but humanity still fights against them, relying on the "Topless": a group of elite space pilots with special powers that allow them to use the Buster Machines—the last hope against the Space Monsters.

Nono, a girl from a remote Martian town, has heard tales all her life of the legendary pilot "Nono-Riri," and wants nothing more than to leave her humble life behind and follow in the footsteps of her idol. Though she has no idea of the dangers that lie ahead, nothing will stop her from achieving her dream. While Nono is down on her luck, she chances upon the lonesome Topless pilot Lal'C Melk Mark, and decides to stake her entire future on following Lal'C, no matter the cost.

[Written by MAL Rewrite]

Nono Main

Fukui, Yukari Japanese

Melk Mark, Lal'C Main

Sakamoto, Maaya Japanese

Science, Tycho Main

Sawashiro, Miyuki Japanese

Takashiro, Casio ing

Yamazaki, Takumi Japanese

Vacheron, Nicola ing

Iwata, Mitsuo Japanese

Nigo ing

Hatori ing

Umezu, Hideyuki Japanese

Sasaki, Shirou Producer, Planning

Yasuda, Takeshi Producer

Kunisaki, Hisanori Producer

Tsurumaki, Kazuya Director, Episode Director, Storyboard, Planning, Key Animation

Reviews

Oct 27, 2009

Archaeon

Recommended

Many people will know the name of Hideaki Anno, in particular because of Neon Genesis Evangelion. His directorial debut though, was an OVA called Top wo Nerae (known as Gunbuster in the West), and whilst NGE has many, many advocates, I will it to being one of the few who consider his debut work to be superior in almost every aspect. That said, I approached the sequel, Diebuster, with a degree of trepidation, in particular because the directorial reins had been handed over to Tsurumaki Kazuya, who also directed FLCL, NGE: Death & Rebirth, and the first two installments of the NGE remakes.

To say ... I was surprised by the end result would be an understatement.

Top wo Nerae 2 takes a bit of getting used to, especially for fans of the original series. The style, plot and scripting are very different to the original OVA, however the feel of the show is remarkably similar to it's predecessor. Part of this is because the story is set around ten years prior to the final moments of Gunbuster, at the very end of the 12,000 year period. Humanity is still at war with the "space monsters", but they are more able to cope now thanks to the efforts of the Fraternity, which is made up of teenaged pilots who possess "supernatural" powers (known as "Topless"), and their Buster machines.

The story begins with Nono, a clumsy girl living on Mars who dreams of being a space pilot. She runs away from home to follow her dream, only to find that reality is very different. Through a chance encounter she meets a Topless called Lal'C Melk Mark, and is completely bowled over by the experience. She follows Lal'C into space, ultimately to meet her destiny.

In all honesty, the plot is actually the weakest part of the whole OVA. Although the story is well paced and the scripting is tight but flowing, there are some obvious homages to Gunbuster which, all told, the show could really have done without. That's not to say that all the references are bad, especially as this is set within Gunbuster's timeframe. It simply means that the show is too reliant on knowledge of the original OVA at times, and would have been better served by trying to be more original on occasion.

The biggest problem though, is that the director and the writers have tried to cover this by making Nono a fan of Nonoriri, the girl who saved the Solar System thousands of years ago. This attempt at deus ex machina didn't sit too well as it gave a certain falseness to the characters thoughts, feelings and actions at times, especially on the occasions that mirrored occurences from the original OVA.

However, while the story may have it's problems, it is actually enjoyable for the most part, and it's to the credit of the writers that a number of flaws can be forgiven (not all though, more on that in a bit).

One area where the show does excel is in it's animation. Gainax have, once again, produced some stunning work in of character movements and set piece action sequences, and it's fair to say that in this department Diebuster is actually better than Gunbuster. The character designs, created by Sadamoto Yoshiyuki (who was also the character designer for FLCL), are very good on the whole, although they are, at times, a tad cartoonish. The backgrounds, especially the renderings of space and it's wonders, are very well done, and some of the visual effects used in the show are truly inspired.

The OVA does fall down though, in it's usage of nudity. Where the original series also had a degree of nudity, it's usage was minimal at best (aside from the bath scene), with the most prominent example being Noriko's famous shirt ripping moment in the final episode. Diebuster, on the other hand, seems to take any excuse to show the fans some skin, and whilst there are times when this mimics the first series, there are far too many occasions where it serves no purpose other than to please the fans. I'm all for pleasing the fans, but Tsurumaki and Gainax should have tried to do this in a different way instead of choosing to be "cheap".

Diebuster is very good in of it's sound effects, not simply in their usage, but also because of their timing. The sound department has paid a great a deal of attention to matching specific effects to the on-screen action, and whilst there are times when the sound is a veritable cacophony, closer examination will reveal that each individual effect stems from an individual action, item, character, etc. In truth, Diebuster is one of the few anime that is worth watching with surround sound to truly appreciate the quality of the effects.

In of music, the show has a generally martial tone to the various thematic pieces, however these are offset by some mellow tracks that work well with the more relaxed moments. The show has a certain feeling of continuity because of the music used throughout the series, some of which is taken directly from Gunbuster, while others have the same feel. The ending theme in the final episode is very much in keeping with that of the original series, and given that both OVAs finish at the same point in time this, like many of the other tracks, is well used and choregraphed.

Once again though, Diebuster is let down by something simple, in this case, the OP and ED. Where the ED from Gunbuster was a pretty staid ditty about love, the OP had a "get up and go" feeling to it that was reflective of the whole OVA. Diebuster, on the other hand, has two J-Pop tracks for it's OP and ED, both of which don't really reflect any aspect of the show, and seem to have been chosen to make the OVA more "trendy".

That said, the voice acting was very good throughout the show. Fukui Yukari's Nono possessed a bubbly personality that was tempered with determination, while Sakamoto Maaya's Lal'C has an aloof, and slightly disgruntled air about her. In of acting ability, the cast is truly excellent, and while there are occasions when they do ham up their roles a little, this is very much in keeping with the "excessive" feel of the OVA (more on that in a bit).

As for the characters themselves, they are the second weak point for Diebuster. Nono, in of the story, possesses no real motivations other than to be a space pilot. While she is most definitely an enjoyable character, she doesn't actually develop in any real way, as much of her drive and conviction remains the same even after her memory returns. Much of the development in the show actually happens on the part of Lal'C, especially in the way her thinking changes to reflect that of Nono.

Unfortunately, the show has a number of recurring characters who really get little to no development, and whilst it's true that this is only a 6 part OVA, if all the development was only supposed to occur on the part of the main characters, then the director should have focused on this instead of making lame attempts to round out other characters, a case in point being the furore involving Tycho and Buster machine Quatre-Vingt-Dix. The time could have been better used to round out the story instead, and it's ironic that while Diebuster hasn't done this, Gunbuster actually did.

To many it may seem as though I don't like Diebuster, especially as I'm an advocate of the original OVA, however nothing couldbe further from the truth. I found Diebuster to be very good, however not in the same way as Gunbuster. The reason for this lies solely on the shoulders of several people, including the director and character designer. Like many directors, Tsurumaki has tried, and in some measure succeeded, to stamp his mark on the series proper, and his influence, along with that of certain other staff , is readily apparent throughout the anime, so much so in fact, that there are occasions when Diebuster resembles FLCL or Tengen Toppa Gurren Lagann more than it does Gunbuster.

This is not a bad thing though, as it does give the OVA a different feel to the original, but therein lies the problem as well. Where FLCL and TTGL have an excessive, over-the-top atmosphere that is prevalent in Diebuster, the original Gunbuster opted for a quiet heroism that was truly touching, and nowhere is this more apparent than in the final episodes of both OVAs. The final scenes in Gunbuster are quiet, with an emphasis on personal sacrifice - the needs of the many outweigh the needs of the few being the most appropriate sentiment. Diebuster, on the other hand, opts for a much flashier ending, with lots of noise and action, and to be honest, very little emotional impact. In truth, Nono's transformation scene and what follows is actually far more memorable than the ending itself, which says a lot about the actual scripting of the show.

The problem, at least for me, is simply this: the entire series is supposed to be about how far humanity will go in order to survive. Given that fact, the method chosen to combat the "space monster" in the final epsiode doesn't equate with the core of the story, especially as there are other planets in the Solar System that would have been more suitable. That particular method was an attempt at mimicking the usage of Buster machine #3 in the first OVA which, unfortunately, doesn't have the same effect, mainly because the element of personal sacrifice for the greater good is missing.

It may sound strange to say this now, but Tsurumaki et al could have easily channeled their collective creativity into creating a show that not only captured the spirit of Gunbuster, but also encapsulated the style of FLCL and TTGL, and, in all honesty, a show like that already exists - Giant Robo: The Day the Earth Stood Still. That said, Diebuster is surprisingly honest in a number of ways, the main one being the fact that it makes no excuses for it's numerous homages to the original OVA. While there may be those who think that using so many references is simply a method of capturing fans of the original anime, this method gives the entire show a feeling of continuity that is so often missingfrom sequels.

On the whole Diebuster is a great addition to the franchise, and while it has it's flaws, it's definitely a worthy successor to Gunbuster. While the story and characters may not be as good as the original OVA, Diebuster has a style and flair of it's own that elevates the show to a whole new level.

I wouldn't say that it's truly equal to Gunbuster, but it comes very, very, close.

Reviewer’s Rating: 8

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Jun 3, 2015

NotenSMSK

Mixed Feelings

Top wo Nerae 2! Diebuster is a hard anime to review. Basically because it is hard to analyse it without comparing it to its prequel. However: that isn't wrong, considering it IS a sequel and it does connect with the original OVA. Furthermore, it tries to conclude with various references to Gunbuster so rather it would be futile to look at it as a stand alone work and it couldn't be appreciated without the comparison either.

Having said that - the story of Top wo Nerae 2! Diebuster isn't sublime. For one, it lets go of the realistic, more scientifically organized orientation that the first OVA ... set and picks up a rather far fetched fictional approach. That is mainly a neg as a sequel. Pushing technology ahead is one thing, but just coming up with ideas that seem to be written at a drinking party doesn't suit the anime as a sequel. Gunbuster set the universe as a futuristic approach to our present universe where technology had advanced, not a magical realm of superhuman races. That also reduced the attribute of tension that was prevalent in Gunbuster and brought the possibility of doing 'magical' stuff that doesn't suit the plot line of mankinds survival.

Secondly, there were plot holes. There were ideas poorly connected - there were ideas that spawned out of nowhere as if the story was not thought out properly in the start and at times there was no good transition from one event to another. And furthermore, small internal plots and politics that was added, brought little appeal to the show - they seemed like excuses to make the plot deep with a lot of stuff going on. This further gave little room for the main characters to interact and give off a more 'emotional' show that would have saved it some face. And just to add - the plot gave too much a feel of "Outlaw Star". The Serpentine Sisters seem like the Mcdougall brothers. The ending fight seems similar and there is a more of the 'chi'/power concept making it look like an Outlaw Star universe.

As a standalone plot, it would save more face - we would have to accept that it is a universe with certain abilities and fictional elements however it still doesn't deliver. There are still many more negatives like plot ones mentioned above - even as a standalone anime, it lacks a very good unique or well executed plot.

Now it may be my personal choice but the extremely vibrant, and girlish outlook of the characters didn't appeal to me. That however is a comment due to the comparison with Gunbuster; if we overlook that I did like the art in general, the fluidity, the backgrounds and color schemes. I would still say I find more appeal to the art style and execution of the original but picking on Diebuster at this point will be a very biased approach.

The characters were another weak thing about the show - Nono lacks much personality integrity - much like Luffy. And that doesn't sit well. Her wish from the start, her affiliation with "Onee-Sama" and her philosophy changes further down the show are lacking in several ways. Lal'c seems to be more well defined, more well crafted but that is only in comparison to Nono. Otherwise she also develops either too quickly, or conveniently for the plot. This is of course comparing to WELL developed characters. The rest of the characters don't require much attention - most were added for 'plot details' and 'politics' that was again lacking because either it didn't get too much time to develop or it seemed too cliched to appeal. More like a poorly developed cliche which makes it have little to no appeal.

So in the end did I enjoy watching the OVA? No. To fans of the original, watching this is a huge disappointment. To people just watching it for the sake of it, you shouldn't think too hard and enjoy what is going on otherwise you won't really like it.

Reviewer’s Rating: 6

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May 18, 2018

CodeBlazeFate

Not Recommended

Some things need to stand alone.

Sequels are a gamble, especially when the time gap between original and sequel grows and grows. They tend to be put under more scrutiny than their predecessors, as they not only have to deal with standing tall as installments in their own right, but they need to provide merit as a sequel to a product that never needed one. The trickiest prospect involved is the anniversary sequel, as that is where you’re most likely to enact the gambit. Some projects of this nature can pay off in a way that respects the original and becomes its own product, perhaps even ... succeeding it in the process. However, not everyone can do a Turn A Gundam, and instead, some make Diebuster.

Put it simply, it fails both ways. As a series, it features mediocre at best and largely uninteresting characters, half-assed power-up moments, and tons of convoluted and barely explained sci-fi superpower bullshit & worldbuilding. When the highlight in of memorable character moments was a rape attempt, you know you’ve fucked up. As a sequel, Diebuster’s almost insulting. The writers made a completely different type of show -a mediocre one at that- a sequel to Gunbuster. It would be like making Aldnoah.Zero the sequel to Macross. As such, everything about the already poorly-crafted and convoluted world-building (galaxy building?) is brimming with incompatibility.

Buster machines are now biomechanical machines that can only be piloted by people with some hereditary superpower gene rather than robots that take skill for any able-bodied person in general to pilot. They each come with different powers including the ability to freeze space creatures in space with quantum temperatures, and controlling and turning other ships into creatures to use during battle via psychic powers or something akin to that. They have colonized entirely new planets with futuristic military technology, yet transportation technology and all things not inherently related to war against space creatures has yet to advance beyond 2004 —the year this OVA first aired— until the finale outright contradicts that. The finale also proves that it takes place during a specific portion of the original’s finale, as if to self-destruct while getting its idol caught in the explosion. Additionally, whereas Gunbuster used real, hard science for its science fiction, Diebuster uses pseudoscience superpower nonsense. This and more serve as only a taste of how incompatible (for lack of a better word) the world-building is, and why crafting a coherent world is always important. Otherwise, we get two pieces that just cannot fit.

There’s also the fact that the mere existence of the events in Die, even discounting the monumentally awful finale, ultimately sully the finale of the original Gunbuster. Not only did that show end phenomenally, but it did so in a way in which no real sequel could be warranted. Gunbuster ended so conclusively that to continue would be to retroactively take back part of the point of the finale. This isn’t even touching on the world-building. This show really should have been its own thing. It would have been a mediocre at best show, but better a mediocre separate celebration installment than a show that accidentally knocks over its predecessor’s grave, especially when said predecessor became one of the two foundational anime of its studio. However, it would probably require heavy rewrites towards the end in particular. After all, the more it goes on, the worse it gets, peaking in its concluding episodes in of sheer atrocity, as the show stops caring almost entirely and ends up outright nullifying the ending of the original, at least canonically.

To cover the positive —read: superficial— aspects of this asteroid, the music is better than last time, and the visuals are still mostly well-crafted. Even with the awful mech designs excessive amounts of usually terrible CGI, the show’s visuals are worthwhile. The character designs are fine enough -particularly that of Nono- and the action animation is smooth, kinetic, and kept track of extremely well...as long as the characters aren’t running. It may not hold up compared to the immaculately detailed and stylized predecessor of yore, but disregarding that leaves you with visuals that were on par with that best at the time, at least animation-wise. The sense of scale is quite large, to add on top of that. Lastly, the music is honestly a tad superior than the original, at least when it isn’t remixing tracks. The OP and ED themes are ok and the background music is serviceable, though that is all I can praise.

Ultimately, the more this show goes on, the more horrible a sequel it becomes. As if it wouldn’t be a bad enough show on its own, it just had to throw a classic series under the bus in a drunken attempt at paying homage and ing a franchise. Barring the prospect of bastardizing a returning cast, Diebuster commits every sin a sequel can commit -including ones I never thought were possible- and ends up shattering itself into pieces upon its obnoxious attempts at trying to send-up and one-up. On its own, it's a mediocre turned bad show too ambitious for its own good. As a sequel, it is so...so much worse. Way to go Gainax, producing the worst thing in your mainline repertoire to celebrate 20 years!

Reviewer’s Rating: 3

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